Surely trees should be set in our streets with a view to their October
splendor; though I doubt whether this is ever considered by the “Tree
Society.” Do you not think it will make some odds to these children
that they were brought up under the Maples? Hundreds of eyes are
steadily drinking in this color, and by these teachers even the truants
are caught and educated the moment they step abroad. Indeed, neither
the truant nor the studious is at present taught color in the schools.
These are instead of the bright colors in apothecaries’ shops and city
windows. It is a pity that we have no more _Red_ Maples, and some
Hickories, in our streets as well. Our paint-box is very imperfectly
filled. Instead of, or beside, supplying such paint-boxes as we do, we
might supply these natural colors to the young. Where else will they
study color under greater advantages? What School of Design can vie
with this? Think how much the eyes of painters of all kinds, and of
manufacturers of cloth and paper, and paper-stainers, and countless
others, are to be educated by these autumnal colors. The stationer’s
envelopes may be of very various tints, yet, not so various as those of
the leaves of a single tree. If you want a different shade or tint of a
particular color, you have only to look farther within or without the
tree or the wood. These leaves are not many dipped in one dye, as at
the dye-house, but they are dyed in light of infinitely various degrees
of strength, and left to set and dry there.
Shall the names of so many of our colors continue to be derived from
those of obscure foreign localities, as Naples yellow, Prussian blue,
raw Sienna, burnt Umber, Gamboge?—(surely the Tyrian purple must have
faded by this time),—or from comparatively trivial articles of
commerce,— chocolate, lemon, coffee, cinnamon, claret?—(shall we
compare our Hickory to a lemon, or a lemon to a Hickory?)—or from ores
and oxides which few ever see? Shall we so often, when describing to
our neighbors the color of something we have seen, refer them, not to
some natural object in our neighborhood, but perchance to a bit of
earth fetched from the other side of the planet, which possibly they
may find at the apothecary’s, but which probably neither they nor we
ever saw? Have we not an _earth_ under our feet,—ay, and a sky over our
heads? Or is the last _all_ ultramarine? What do we know of sapphire,
amethyst, emerald, ruby, amber, and the like,—most of us who take these
names in vain? Leave these precious words to cabinet-keepers,
virtuosos, and maids-of-honor,— to the Nabobs, Begums, and Chobdars of
Hindostan, or wherever else. I do not see why, since America and her
autumn woods have been discovered, our leaves should not compete with
the precious stones in giving names to colors; and, indeed, I believe
that in course of time the names of some of our trees and shrubs, as
well as flowers, will get into our popular chromatic nomenclature.
Public-domain text, read in full here on John Shaqi.
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