It is said to be the task of the American “to work the virgin soil,”
and that “agriculture here already assumes proportions unknown
everywhere else.” I think that the farmer displaces the Indian even
because he redeems the meadow, and so makes himself stronger and in
some respects more natural. I was surveying for a man the other day a
single straight line one hundred and thirty-two rods long, through a
swamp, at whose entrance might have been written the words which Dante
read over the entrance to the infernal regions,—“Leave all hope, ye
that enter,”—that is, of ever getting out again; where at one time I
saw my employer actually up to his neck and swimming for his life in
his property, though it was still winter. He had another similar swamp
which I could not survey at all, because it was completely under water,
and nevertheless, with regard to a third swamp, which I did _survey_
from a distance, he remarked to me, true to his instincts, that he
would not part with it for any consideration, on account of the mud
which it contained. And that man intends to put a girdling ditch round
the whole in the course of forty months, and so redeem it by the magic
of his spade. I refer to him only as the type of a class.
The weapons with which we have gained our most important victories,
which should be handed down as heirlooms from father to son, are not
the sword and the lance, but the bushwhack, the turf-cutter, the spade,
and the bog-hoe, rusted with the blood of many a meadow, and begrimed
with the dust of many a hard-fought field. The very winds blew the
Indian’s cornfield into the meadow, and pointed out the way which he
had not the skill to follow. He had no better implement with which to
intrench himself in the land than a clam-shell. But the farmer is armed
with plough and spade.
In Literature it is only the wild that attracts us. Dullness is but
another name for tameness. It is the uncivilized free and wild thinking
in “Hamlet” and the “Iliad,” in all the Scriptures and Mythologies, not
learned in the schools, that delights us. As the wild duck is more
swift and beautiful than the tame, so is the wild—the mallard—thought,
which ’mid falling dews wings its way above the fens. A truly good book
is something as natural, and as unexpectedly and unaccountably fair and
perfect, as a wild flower discovered on the prairies of the West or in
the jungles of the East. Genius is a light which makes the darkness
visible, like the lightning’s flash, which perchance shatters the
temple of knowledge itself,—and not a taper lighted at the hearth-stone
of the race, which pales before the light of common day.
Public-domain text, read in full here on John Shaqi.
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