Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
heritages we have of ancient life and thought. I seemed to see him
there in those bleak wilds of Pannonia, seated by night in his tent.
At his side burns a flickering torch. Sentinels silently pace to and
fro. The cold wind flirts and flaps the folds of the prætorium, and
shakes the golden eagle above it. Far off is heard the howl of the
wolf prowling through the shadowy forests that encompass the camp;
or the silence is broken by the sharp shrill cry of some night bird
flying overhead through the dark. Now and then comes the clink of armor
from the tents of the cavalry, or the call of the watchword along the
line, or the neighing of horses as the circuitores make their rounds.
He is ill and worn with toil and care. He is alone; and there, under
the shadow of night, beside his camp-table, he sits and meditates,
and writes upon his waxen tablets those lofty sentences of admonition
to duty and encouragement to virtue, those counselings of himself to
heroic action, patient endurance of evil, and tranquillity of life,
that breathe the highest spirit of morality and philosophy. Little did
he think, in his lonely watches, that the words he was writing only for
himself would still be cherished after long centuries had passed away,
and would be pondered over by the descendants of nations which were
then uncultured barbarians, as low in civilization as the Pannonians
against whom he was encamped. Yet of all the books that ancient
literature has left us, none is to be found containing the record of
higher and purer thought, or more earnest and unselfish character. As I
glanced up at the cast of the Capitoline bust of him which stood in the
corner of my room, and saw the sweet melancholy of that gentle face,
ere care and disappointment had come over it and ruled it with lines
of age and anxiety, a strange longing came over me to see him and hear
his voice, and a sad sense of that great void of time and space which
separated us. Where is he now? What is he now? I asked myself. In what
other distant world of thought and being is his spirit moving? Has it
any remembrance of the past? Has it any knowledge of the present? Yet
the hand that wrote is now but dust, which may be floating about the
mausoleum where he was buried, near the Vatican, or perhaps lying in
that library of the popes upon some stained manuscript of this very
work it wrote, to be blown carelessly away by some studious abbé as he
ranges the volume on its shelf among the other precious records of the
past.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account