Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
Can any statement be larger and more inclusive than this?[27] Such
indeed was the true philosophic idea of Jupiter, as entertained by
the best and most exalted in ancient days. You must go to the highest
sources to learn what the highest notions of Deity are among any
people, and not grope among the popular superstitions and myths. Then,
again, what nobler expressions of our relation to an infinite and
universal spirit of God are to be found than in Epictetus and Seneca?
‘God is near you, is with you, is within you,’ Seneca writes. ‘A sacred
spirit dwells within us, the observer and guardian of all our evil and
all our good. There is no good man without God.’ And again: ‘Even from
a corner it is possible to spring up into heaven. Rise, therefore,
and form thyself into a fashion worthy of God.’ And again: ‘It is
no advantage that conscience is shut up within us. We lie open to
God.’ And still again: ‘Do you wish to render the gods propitious? Be
virtuous.’ One might cite such passages for hours from the writings of
these men. Can you, then, think that our notions of God and duty were
so low and so debased?
“Look, too, at our arts. Art and religion with us and the Greeks
went hand in hand. If you seek the true spirit of religion among any
people, you will always find it in the productions of their art. In
sculpture, the most ideal of the plastic arts, you will see the real
features of the gods. They are grand, calm, serene, dignified, and
above the taint of human passion; claiming reverence and love in their
beauty and perfection beyond the human. Here there is nothing mean or
low. So godlike are they even in the poorer specimens of their noble
figures that have come down to you, that you yourselves recognize in
them ideal grace and power. Read the reflection of our faith in their
forms and features, and you will find in it nothing vulgar, nothing
degrading. The best personifications of your own divinities in art
look poor beside them. God himself in your pictures is feeble compared
with the divine Jupiter of Phidias; the Madonna weak and tame beside
the august grandeur of his Athene. Christ in your art is pitiable
beside the splendor of Apollo; so far from being the highest type of
even man, he is almost the weakest, composed of pale negatives, and
with nothing very positive and grand; while your saints are affected,
cowardly, and cringing, compared with the heroic demigods of Greece.
In art, at least, the ancient deities still live and command reverence
from a serene world beyond change. Would you know what our faith was,
look at the great works of art and at the best thoughts of the greatest
minds we owned, and not at the corrupted text of popular superstition.
These, indeed, were worthy of reverence. They lifted the thoughts and
cleared the spirit, and filled it with a sense of beauty and of power.
Who could look at that magnificent impersonation of Zeus at Olympia,
by Phidias, so grand, so simple, so serene, with its golden robes
Public-domain text, read in full here on John Shaqi.
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