garb behind which lie great facts and truths. They are symbolical representations of the great processes of nature, of the laws of life and growth, of the changes of the seasons, of the strife of the elements. Apollo was the life-giving sun; Artemis, the mysterious moon; Ceres and Proserpine, the burial of the grain in the earth, and its reappearance and fructification. So, on another plane, Minerva was the philosophic mind of man; Venus, the impassioned embodiment of human love, as Eros was of spiritual affections; Bacchus, the serene and full enjoyment of nature. We but divided philosophically what you sum up in one final cause; but all our divisions looked back to that cause. In an imaginative people like the Greeks, there is also a natural tendency to mythical embodiment of facts in history as well as in nature; and in the early periods, when little was written down, traditions easily assumed the myth form. Ideas were reduced to visible shapes, and facts were etherealized into ideas and imaginatively transformed. The story of Diana and Endymion, of Cupid and Psyche, will always be true—not to the reason, but to the imagination. It expresses poetically a sentiment which cannot die. So, also, what matters it if Dædalus built a ship for Icarus, and Icarus was simply drowned? Sublimed into poetry, it became a myth, and Icarus flew on waxen wings across the sea. All poetry is thus allegorical. The wind will always have wings until it ceases to blow. These myths are simply poetic moulds of thought, in which vague sentiments, ideas, and facts are wrought together into an express shape. Think what your own literature or thought would be without the old Grecian poems. Let the reason reject them as it will, and drive them out into the cold, the imagination will run forth and bring them back again to warm and cherish them on its breast. Facts, as facts, are but dead husks. The spirit cannot live upon them. Besides, are not our myths enchanting? Could anything take their place? Can science, peering into all things, ever find the secrets of nature? After all its explorations, the final element of life, the motive and inspiring element that is the essence of all the organism it uses and without which all is mere material, mere machinery, flees utterly beyond its reach, and leaves it at last with only dust in its hands. Does not the little child that makes playmates of the flowers, and the brooks, and the sands, find God there better than any of us? The subtle divinity hides anywhere, entices everywhere, is just out of reach everywhere. We catch glimpses of it, breathe its odor, hear its dim voice, see the last flutter of its robe, pursue it endlessly, and never can seize it. The poet is poet because he loves this spirit in nature, and comes nearer it; but he cannot grasp it; and for all his pursuit he comes back laden at last with a secret he cannot quite tell, and shapes us a myth to express it as well as he may.”