Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
“Certainly I should not say it was a sign from Jupiter. The thunder was
on the left, and that was considered by you a good omen, was it not?
‘Et cœli genitor de parte serena
Intonuit lævum.’”
“This thunder on the left was considered a good omen. But what was
it you said after you asked the question? You seemed to be making a
quotation in a strange tongue—at least a tongue I never heard.”
“That was Latin,” I answered, blushing a little, “and from
Virgil—Virgilius, perhaps I ought to say, or perhaps Maro.”
“Ah! Latin, was it?” he said. “I beg your pardon; I thought it might
have been a charm to avert the Evil Eye that you were uttering.”
“As difficult to understand as the Eleusinian mysteries,” I said. “And,
by the way, what were the Eleusinian mysteries?”
“They were mysteries! I can merely say to you that they concealed
under formal rites the worship of the spirit of nature, as symbolized
in Demeter and Persephone and Dionysos. In their purest and hidden
meaning, they represented the transformation, purification, and
resurrection of humanity in a new form and in another existence. But I
am not at liberty to say more than this. The outward rites were for the
multitude, the inner meaning for the highest and most developed minds.
Were it permitted to me to explain them to you, I think you would not
take so low a view of our religious philosophy as you now seem to have.
What you hear and read of was merely the outward and mystical drama,
with its lustrations and fasting, and cakes of sesame and honey, and
processions—as symbolical in its way as your mass and baptism, and
having as pure a significance.
Public-domain text, read in full here on John Shaqi.
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