Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
Thus far, however, we have seen but one side of Macbeth. The other
side was its opposite. Bold, ambitious, and treacherous, he was also
equally imaginative and superstitious. In action he feared no man.
Brave as he was cruel, and ready to meet anything in the flesh, he was
equally visionary of head, a victim of superstitious fears, and a mere
coward before the unreal fancies evoked by his imagination. He has
the Scottish second-sight, and visions and phantoms shake his soul.
Show him twenty armed men who seek his life, he encounters them with
a fierce joy. Show him a white sheet on a pole, and tell him it is a
ghost, and he trembles abjectly. He conjures up for himself phantoms
that “unfix his hair and make his seated heart knock at his ribs;”
he is distracted with “horrible imaginings.” His excited imagination
always plays him false and fills him with momentary and superstitious
fears; but these fears never ultimately control his action. They are
fumes of the head, and being purely visionary, they are also temporary.
They come in moments of excitement, obscure for a time his judgment,
and influence his ideas; but having regard solely to things unreal,
they vanish with the necessity of action.
These superstitious fears have nothing to do with conscience or morals.
He has no morals; there is no indication of a moral sense in any single
word of the whole play. The only passage which faintly indicates a
sense of right and wrong is when he urges to himself, as reasons why
he should not kill Duncan, not only that the king is his kinsman, his
king, and his guest, but that he has borne his faculties so meekly,
that his virtues would plead like angels trumpet-tongued against the
deep damnation of his taking-off. This, however, is mere talk, and has
reference only to the indignation which his murder will excite, not to
any sorrow Macbeth has for the crime. His sole doubt is lest he may not
succeed; for, as he says,—
“If the assassination
Could trammel up the consequence, and catch,
With his surcease, success; that but this blow
Might be the be-all and the end-all here,
But here, upon this bank and shoal of time,—
We’d jump the life to come.”
The idea of being restrained from committing this murder by any
religious or moral scruples is very far from his thought. Right or
wrong, good or bad, have nothing to do with the question; and as for
the “life to come,” that is mere folly.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account