Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
In this tremendous apostrophe, in which she goads herself on to crime,
the woman’s nature is plainly seen. Macbeth never prays to have his
nature altered, to have any passages to remorse closed up; never fears
“compunctious visitings of nature,” nor desires darkness to hide his
knife, so that he may not _see_ the wound he makes. But she knows she
is a woman, and that she needs to be unsexed, and feels that she is
doing violence to her own nature; still her will is strong, and she
cries down her misgivings, and resolves to aid Macbeth in his design.
Macbeth meets her in this mood. There is no salutation or greeting on
his part; he has but one idea,—Duncan is coming, and is to be murdered.
His first words are,—
“My dearest love,
Duncan comes here to-night.”
Whereupon she asks, “And when goes hence?” “To-morrow,” he answers, and
pauses; and adds, “as he purposes.” But in the look and in the pause
Lady Macbeth has read his whole sold and intent. There is murder in
that look; and she cries:—
“O, never
Shall sun that morrow see!
Your face, my thane, is as a book, where men
May read strange matters.”
There is no explanation between them. He has conveyed all his intention
by a look and a gesture, as she herself distinctly says. He has ridden
headlong, as fast as horse could carry him, away from the king, full
of this one idea; and the king has vainly “coursed him at the heels,”
having the purpose, as he himself says, “to be his purveyor.” And
his thoughts have spoken in his looks so unmistakably, that they are
perfectly understood. If there be any doubt by whom the murder was
suggested, it is made perfectly clear by what Lady Macbeth subsequently
says to him in the next scene in which they are presented. When he
begins to doubt whether the murder had not better be postponed, she
says:—
“What beast was’t, then,
That made you break this enterprise to me?”
It was not of my plotting, but of your own; “Nor time, nor place, did
then adhere, and yet you would make both;” you desired it and still
desire it, but are afraid of consequences. These words of hers would
indeed seem to indicate that he had urged the crime upon her against
her will at a previous interview not reported in the play, or perhaps
by a letter; for she says distinctly, that when he broke the enterprise
to her,—
“Nor _time_, nor _place_,
Did then adhere, and yet _you would make both_:
They have made themselves.”
Public-domain text, read in full here on John Shaqi.
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