Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
When the murder is done, the two are equally distinct in
character,—she energetic and practical, he visionary and superstitious;
and so they part.
Thus far, be it observed, Lady Macbeth has supposed her husband to be
merely “infirm of purpose;” but the next scene is to open her eyes to a
glimpse of his real character.
Macbeth has become perfectly calm and cold again in a few minutes, and
makes his appearance immediately after the knocking. He is completely
master of himself, offers to conduct Macduff to the king, and when
Macduff says he knows it will be a “joyful trouble” to him, answers
like a proverb, calmly, “The labor we delight in physics pain.” The
king is then found dead, and the noise brings Lady Macbeth from her
room. What a difference is now visible in the way in which she and he
speak and act! When Macduff says, “Our royal master’s murdered!” she
cries out, “Woe! alas! what, in our house?” and says not a word more.
Macbeth, however, who is only afraid of shadows, but who, with the
daylight, has no fear of looking at dead bodies, or adding one or two
more with his sword, goes to the room of Duncan, and then reappears,
without the faintest shadow of feeling, and makes a little hypocritical
poem on the event:—
“Had I but died an hour before this chance,
I had liv’d a blessed time; for, from this instant,
There’s nothing serious in mortality:
All is but toys: renown and grace is dead;
The wine of life is drawn, and the mere lees
Is left this vault to brag of.”
“What is amiss?” says Donalbain. And Macbeth cries, “You are, and
do not know’t. The spring, the head, the fountain of your blood is
stopp’d; the very source of it is stopp’d.”
This is Macbeth’s rant and fustian. He has no feeling, and, as usual,
he makes the pretense of poetry serve him. The head, the spring, the
fountain, the source is stopped, is stopped.
And this stuff he recites coolly, although he has but a moment before
wantonly killed the two grooms; nay, he does not mention it until
afterwards, on their being spoken of by Lenox, when this hypocritical
villain cries:—
“O, yet I do repent me of my fury,
That I did kill them.
_Macd._ Wherefore did you so?
_Macb._ Who can be wise, amaz’d, temperate and furious,
Loyal and neutral, in a moment? No man:
The expedition of my violent love
Outrun the pauser, reason.—Here lay Duncan,
His _silver_ skin lac’d with his _golden_ blood;
And his gash’d stabs look’d like a breach in nature,
For ruin’s wasteful entrance: there, the murderers,
Steep’d in the colors of their trade, their daggers
Unmannerly breech’d with gore: who could refrain,
That had a heart to love, and in that heart
Courage to make’s love known?”
Public-domain text, read in full here on John Shaqi.
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