Excursions in the County of Cornwall: Comprising a Concise Historical and Topographical Delineation of the Principal Towns and Villages, Together With Descriptions of the Residences of the Nobility and Gentry, Remains of Antiquity, and Every Other Interesting Object of CuriosityStockdale, Frederick Wilton Litchfield
History
Excursions in the County of Cornwall: Comprising a Concise Historical and Topographical Delineation of the Principal Towns and Villages, Together With Descriptions of the Residences of the Nobility and Gentry, Remains of Antiquity, and Every Other Interesting Object of Curiosity
Stockdale, Frederick Wilton Litchfield
Cornwall (England : County) -- Description and travel; Cornwall (England : County) -- History
On approaching the _Castle_, its venerable _Keep_ arises majestically
amidst the surrounding foliage, and with the little bridge and cottages
in the valley, forms altogether a very picturesque subject. The entrance
is through a small arch on the north side, and a circular road, leading
to it, has been lately cut through the hill on which it stands. The site
of the area covers more than an acre of ground, and is enclosed by
embattled walls, six feet in thickness. The keep stands on the summit of
a conical mound at the north-west angle, embattled with walls 10 feet
thick and 30 high. The space enclosed is of an oval form, and was
formerly divided into apartments, but as there are no marks of windows,
they would appear to have been lighted from the top. The entrance to it
was through a circular arched doorway on the western side, from whence
an irregular path leads to a small sally-port; but the most perfect part
of the building is the principal gateway, composed of three strong
arches, with grooves for portcullises between them. These arches support
a square tower, embattled, containing an apartment, which has been
fitted up as a museum for natural curiosities. The walls are decorated
with some of the finest tapestry in England, the colours being as bright
as if it had only lately been finished.
Regarding the origin of this antient fortress, little is known, that may
be deemed authentic; but it is generally believed, like most other
buildings of a like nature, to have been originally erected prior to the
Conquest. Afterwards it was given to Robert, Earl of Moreteyne and
Cornwall, and in subsequent reigns was annexed to the Duchy of Cornwall.
During the civil wars of the eighteenth century, we find no account of
this castle’s having been occupied by either of the contending parties:
but Carew relates, that during the Cornish commotions in 1549, Sir
Richard Grenville held Trematon for a while against the rebels; but that
having been induced to quit it, for the purpose of holding a parly with
the beseigers, they intercepted his return, seized on the castle, sent
him a prisoner to Launceston gaol, and plundered and ill-treated his
lady and her attendants.—A few years ago it was leased to Benjamin
Tucker, Esq. Surveyor General of the Duchy of Cornwall, and who was for
many years Secretary to the gallant Admiral, Earl St. Vincent. This
gentleman has erected a very comfortable residence within the area, and
embellished it with a great variety of choice paintings and other works
of art. Among the most valuable is “La fameuse Aurore de Natier,” a
picture well known on the Continent, besides the Twelve Cæsars, by
Goltzius. There is also the celebrated organ which was made by Mr.
Moore, of Ipswich, for the Empress of Russia, at the price of _£_16,000,
and a most beautiful specimen of shell-work, which was formed in the
Brazils, and the construction of which is said to have occupied two nuns
the whole of their lives.
Public-domain text, read in full here on John Shaqi.
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