If the reader who has never journeyed along the quaint old Peach Tree street of Atlanta, Georgia, can imaginatively depict the moonlight scene of Julia Marlowe in “Barbara Frietchie,” he will have a monomial fac-simile of these old-time Southern homes. Returning to the bright stimulating thoroughfare fronting the Poindexter Hotel, I alighted from my car and entered the café, where I learned that the soldiers had not yet returned. After visiting various places of interest, including the Confederate museum, I returned to the hotel and wrote letters until about 4 o’clock, when the boys launched on the scene in brand-new spick and span attire, everything completely modern. They had made inquiries about the train for New Orleans, which was scheduled to leave Atlanta at 12.02 midnight, over the “Sunset” route, giving us ample time to attend the theatre. Clark proposed a christening of the “togs”; this suggestion was emphasized and perfunctorily executed with libations of mint-julep. After making reservations for the “sleepers,” we purchased tickets for the “Primrose and West” minstrels. Gautrell said he felt like a new clock after shedding his “war-clothes,” and proposed an augmentation to the christening; entering a “grill,” the order was soon taken and filled to the connoisseurship of the “Kentucky colonel.” After a few rounds of this delicious Southern beverage, we repaired to the Poindexter, checked our baggage through to New Orleans, and dined sumptuously on teal and water-cress. As the coffee and cigarettes were being served, a trombone “rag” burst forth from the minstrel band near the entrance to the theatre; as the last notes of this died away, we hastened to the parquet, arriving in time for the grand opening scene. Having enjoyed the show, our grips were collected at the hotel, and a short walk to the station found us in ample time for the train. As the Pullman vestibule sleepers rolled in, we were not long in getting aboard and having the porter arrange the berths for a night of restful sleep.