Exploits and adventures of a soldier ashore and afloatAdams, William Llewellyn
History
Exploits and adventures of a soldier ashore and afloat
Adams, William Llewellyn
Adams, William Llewellyn; Americans -- Foreign countries; United States. Army -- Military life
Arriving in St. Louis Sunday morning, May 22, we immediately alighted
from the train, the battalion was formed, and marched to the “Fair”
grounds, through the Olive Street entrance, to the site of our
rendezvous; the colors were hoisted to the flagpole, and by 12 o’clock
noon our camp had been pitched, each A wall tent towering uniformly
over the chalk-marked square on the red shale, and with the precision
of the Barnum and Bailey shows. Each tent had a well-fitting floor,
and between each row of tents stretched a beautiful lawn of grass, on
either side of which was a board-walk. The battalion commander’s
headquarters, as well as the tents of the other officers, faced the
head of the company streets, and were separated by a unique road, over
which vehicles were debarred. The camp was illuminated by large arc
lights. In the rear of the last row of tents stood the sick quarters,
canteen, guard-house, barber-shop, cobbler, tailor, and shower-baths.
The camp was typically a model military village, with all modern
conveniences, even to an up-to-date restaurant which had been erected
purposely for the accommodation of the battalion. This building was
beautifully situated in a shady grove opposite the Kentucky building.
In India the British are noted for their model camps and bungalow
quarters; but an English officer, after seeing the marines in St.
Louis, was heard to remark, that this American camp beggared
description.
[Illustration: U.S. MARINES, WORLD’S FAIR, ST. LOUIS, 1904]
The Plaza Orleans was the scene of daily exhibitions given by the West
Point cadets, Philippine scouts, and United States marines. Thousands
of spectators thronged the roped enclosure daily, and the applause
from these was deafening. Strains of music from a dozen different
bands filled the air, the most famous of these being the United States
Marine Band, Sousa’s, Gilmore’s, Hawaiian, Mexican, Royal Grenadier of
London, Philippines Constabulary, La Republic of France, Band De
Espanol, Neapolitan of Italy, and the army bands,――the Second and
Twenty-fourth Infantry, the latter colored. Besides these there were
scores of others, including bagpipers and the insular band of the
Tagalogs with bamboo instruments.
In addition to the exhibition drills and camp exhibit of the marines,
they also had charge of the naval exhibits in the government building.
Each man had to be thoroughly familiar with the mechanism or history,
as the case might be, of the integral point of each exhibit, in order
to explain and answer questions intelligently. The camp was garrisoned
by a detail of marines, who patrolled on each side of the square, from
the day of our arrival until the close of the “Fair.”
This style of soldiering was a rare treat to the boys; they were given
free admittance to every concession on the grounds, and the six months
spent in the heart of this stupendous show of the earth will ever
remain vivid in the memories of the men who comprised this battalion.
Public-domain text, read in full here on John Shaqi.
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