Swiss maidens from Geneva presided over stalls of quaint curios from Switzerland, beer-steins and long tobacco-pipes being the most favored articles. These Swiss girls were great favorites of the marines; they were constant visitors at the camp during the entire exposition, scarcely a tent was lacking in some ornamentation or other from the booths of this Alpine exhibit, while each girl wore pinned to her shirt-waist an ornament emblematic of the marines, consisting of the semisphere, the eagle, and the anchor. Though not on the grounds, one of the most interesting places of amusement, and one which without seeing the visitor’s trip to the “Fair” was incomplete, was “Cheyenne Joe’s Rocky Mountain Inn.” This famous or infamous resort, as you will have it, had a seating capacity of more than one thousand people. Tables arranged in squares over a saw-dust floor were attended by waiters in cowboy costume; in the centre of this large pavilion a vaudeville performance entertained its racy patronage; music was continuous, two bands being used for this purpose; as one ceased playing, the other commenced without interval. A trained donkey bedecked with ribbons ran from table to table nodding to the guests. About every twenty minutes, Cheyenne Joe mounted on a pony would gallop into the scene and cry out, “How much money did we take in to-day?” In unison the cowboys would yell, “Ten thousand dollars.” Joe would shout, “Burn half of it up and shoot out the lights,” whereupon each cowboy drew his gun and banged away, snuffing out every light in the joint. The lights, of course, were operated mechanically; darkness ensued for a few moments only, when the light would be restored. The placards alone were worth a visit to read; but the mirth and revelry indulged in not only by soldiers, civilians, and Indians, but hundreds of the fair sex, during the midnight hours in this Rocky Mountain resort, though lacking in splendor, were akin to the revels at the feasts of the bacchanalians. During the wee sma’ hours of the morning the Palm Garden, a rustic summer dancing pavilion, with its glossy floor and Italian orchestra, was ablaze with the scintillating flashes of diamonds which glittered from the smartly clad feminine patrons of the dizzy whirl. Here, to the music of such selections as, “Any rags, any bones, any bottles to-day?” a rag two-step is being performed by a marine and a Venus with a florid style, whose magic spell lends soothing to the blues, but whose high heels were not made for a minister’s daughter.