My text is only taken as a starting-point, and I shall say nothing about Joshua and his prayer. I do not discuss whether this was a miracle or not. It seems, at any rate, to be taken by the writer of the story as one. What a picture he draws of the fugitives rushing down the rocky pass, blind in their fear, behind them the flushed and eager conqueror, the burst of the sudden tempest and far in the west the crescent moon, the leader on the hilltop with his prayer for but one hour or two more of daylight to finish the wild work so well begun! And, says the story, his wish was granted, and no day has been 'like it before or since, in which the Lord hearkened unto the voice of a man.' Once, and only once, did time seem to stand still; from the beginning till now it has been going steadily on, and even then it only seemed to stand. That day seemed longer, but life was passing all the same. And so the first thought forced upon us here by our narrative and by the season is the old one, so commonplace and yet so solemn. I. Life inexorably slides away from us. Once, and only once, it seemed to pause. How often since has Joshua's prayer been prayed again! By the fearful,--the wretch to be hanged at eight o'clock to-morrow morning, the man whom the next train will part from all he loves. By the hopeful,--the child wearying for the holidays, the bridegroom, 'Gallop apace, ye fiery-footed steeds!' By the suffering,-- 'Would God it were evening!' By the martyr amid the flames, 'Come quickly, Lord Jesus!' But all in vain. We cannot expand the moments to hours, nor compress the hours to moments. Leaden or winged, the hours are hours. The cold-blooded pendulum ticks on, equable and unaltered, and after sixty minutes, no sooner and no later, the hour strikes. 'There is a time for every purpose.' How solemn is the thought of that constant process! It goes on for ever, like the sea fog creeping up from the wide ocean and burying life and sunshine in its fatal folds, or like the ever-flowing river, or like the fall plunging over the edge of the cliff, or like the motions of the midnight sky. Each moment in its turn passes into the colourless stony past, and the shadow creeps up the hillside. And how unnoticed it is! We only know motion by the jolts. The revolution of the earth and its rush along its orbit are unfelt by us. We are constantly startled to feel how long ago such and such a thing took place. The mother sees her little girl at her knee, and in a few days, as it seems, finds her a woman. How immense is our life in the prospect, how awfully it collapses in the retrospect! Only by seeing constellation after constellation set, do we know that the heavens are in motion. We have need of an effort of serious reflection to realise that it is of _us_ and of _our_ lives that all these old commonplaces are true.