This woman had been nourished upon a more or less perfect edition of what we know as the 'Mosaic Law.' Her faith had been fed by forms. She moved amidst a world full of the cruelties and dark conceptions of a mysterious divine power which torture heathenism apart from Christianity. She had forced her way through all that, and laid hold of the vital centre. And there, a way out amidst cruelty and murder, amidst the unutterable abominations and terrors of heathenism, in the centre of a rigid system of ceremonial and retaliation, the woman's heart spoke out, and taught her what was the great commandment. Prophetess she was, fighter she was, she could burst into triumphant approval of Jael's bloody deed; and yet with the same lips could speak this profound word. She had learned that 'Thou shalt _love_ the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind,' summed up all duty, and was the beginning of all good in man. That precept found an echo in her heart. Whatever part in her religious development may have been played by the externalisms of ceremonial, she had pierced to the core of religion. Advanced modern critics admit the antiquity of Deborah's song, and this closing stanza witnesses to the existence, at that early period, of a highly spiritual conception of the bond between God and man. Deborah had got as far, in a moment of exaltation and insight, as the teaching of the Apostle John, although her thought was strangely blended with the fierceness of the times in which she lived. Her approval of Jael's deed by no means warrants our approving it, but we may thankfully see that though she felt the fierce throbbing of desire for vengeance, she also felt this--'Them that _love_ Him; that is the Alpha and the Omega of all.'