The blessings consequent on the gift of God's love are described in lovely imagery, drawn, like Hosea's other abundant similes, from nature, and especially from trees and flowers. The source of all fruitfulness is a divine influence, which comes silently and refreshing as the 'dew,' or, rather, as the 'night mist,' a phenomenon occurring in Palestine in summer, and being, accurately, rolling masses of vapour brought from the Mediterranean, which counteract the dry heat and keep vegetation alive. The influences which refresh and fructify our souls must fall in many a silent hour of meditation and communion. They will effloresce into manifold shapes of beauty and fruitfulness, of which the Prophet signalises three. The lily may stand for beauty of purity, though botanists differ as to the particular flower meant. Christians should present to the world 'whatsoever things are lovely,' and see to it that their goodness is attractive. But the fragrant, pure lily has but shallow roots, and beauty is not all that a character needs in this world of struggle and effort. So there are to be both the lily's blossom and roots like Lebanon. The image may refer to the firm buttresses of the widespread foot-hills, from which the sovereign summits of the great mountain range rise, or, as is rather suggested by the accompanying similes from the vegetable world, it may refer to the cedars growing there. Their roots are anchored deep and stretch far underground; therefore they rear towering heads, and spread broad shelves of dark foliage, safe from any blast. Our lives must be deep rooted in God if they are to be strong. Boots generally spread beneath the soil about as far as branches extend above it. There should be at least as much underground, 'hid with Christ in God,' as is visible to the world. But beauty and strength are not all. So Hosea thinks of yet another of the characteristic growths of Palestine, the olive, which is not strikingly beautiful in form, with its strangely gnarled, contorted stem, its feeble branches, and its small, pointed, pale leaves, but has the beauty of fruitfulriess, and is green when other trees are bare. Such 'beauty' should be ours, and will be if the 'dew' falls on us. In verse 7 there are difficulties, both as to the application of the 'his,' and as to the reading and rendering of some of the words. But the general drift is clear. It prolongs the tones of the foregoing verses, keeping to the same class of images, and expressing fruitfulness, abundant as the corn and precious as the grape, and fragrance like the 'bouquet' of the choicest wine.