'Every man walketh in a vain show.' The original is even more striking and strong. And although one does not like altering words so familiar as those of our translation, which have sacredness from association and a melancholy music in their rhythm--still it is worth while to note that the force of the expression which the Psalmist employs is correctly given in the margin, 'in an image'--or 'in a shadow.' The phrase sounds singular to us, but is an instance of a common enough Hebrew idiom, and is equivalent to saying--he walks in the character or likeness of a shadow, or, as we should say, he walks as a shadow. That is to say, the whole outward life and activity of every man is represented as fleeting and unsubstantial, like the reflection of a cloud which darkens leagues of the mountains' side in a moment, and ere a man can say, 'Behold!' is gone again for ever. Then, look at the other image employed in the other clause of our text to express the same idea, 'I am a stranger and a sojourner, as all my fathers.' The phrase has a history. In that most pathetic narrative of an old-world sorrow long since calmed and consoled, when 'Abraham stood up from before his dead,' and craved a burying-place for his Sarah from the sons of Heth, his first plea was, 'I am a stranger and a sojourner with you.' In his lips it was no metaphor. He was a stranger, a visitor for a brief time to an alien land; he was a sojourner, having no rights of inheritance, but settled among them for a while, and though dwelling among them, not adopted into their community. He was a foreigner, not naturalised. And such is our relation to all this visible frame of things in which we dwell. It is alien to us; though we be in it, our true affinities are elsewhere; though we be in it, our stay is brief, as that of 'a wayfaring man that turns aside to tarry for a night.' And there is given in the context still another metaphor setting forth the same fact in that dreary generalisation which precedes my text, 'Every man at his best state'--or as the word means, 'established,'--with his roots most firmly struck in the material and visible--'is only a breath.' It appears for a moment, curling from lip and nostril into the cold morning air, and vanishes away, so thus vaporous, filmy, is the seeming solid fact of the most stable life. These have been the commonplaces of poets and rhetoricians and moralists in all time. But threadbare as the thought is, I may venture to dwell on it for a moment. I know I am only repeating what we all believe--and all forget. It is never too late to preach commonplaces, until everybody acts on them as well as admits them--and this old familiar truth has not yet got so wrought into the structure of our lives that we can afford to say no more about it.