There is no doubt that this psalm was originally the marriage hymn of some Jewish king. All attempts to settle who that was have failed, for the very obvious reason that neither the history nor the character of any of them correspond to the psalm. Its language is a world too wide for the diminutive stature and stained virtues of the greatest and best of them, and it is almost ludicrous to attempt to fit its glowing sentences even to a Solomon. They all look like little David in Saul's armour. So, then, we must admit one of two things. Either we have here a piece of poetical exaggeration far beyond the limits of poetic license, or 'a greater than Solomon is here.' Every Jewish king, by virtue of his descent and of his office, was a living prophecy of the greatest of the sons of David, the future King of Israel. And the Psalmist sees the ideal Person who, as he knew, was one day to be real, shining through the shadowy form of the earthly king, whose very limitations and defects, no less than his excellences and his glories, forced the devout Israelite to think of the coming King in whom 'the sure mercies' promised to David should be facts at last. In plainer words, the psalm celebrates Christ, not only although, but because, it had its origin and partial application in a forgotten festival at the marriage of some unknown king. It sees Him in the light of the Messianic hope, and so it prophesies of Christ. My object is to study the features of this portrait of the King, partly in order that we may better understand the psalm, and partly in order that we may with the more reverence crown Him as Lord of all. I. The Person of the King. The old-world ideal of a monarch put special emphasis upon two things--personal beauty and courtesy of address and speech. The psalm ascribes both of these to the King of Israel, and from both of them draws the conclusion that one so richly endowed with the most eminent of royal graces is the object of the special favour of God. 'Thou art fairer than the children of men, grace is poured into Thy lips: therefore God hath blessed Thee for ever.' Here, at the very outset, we have the keynote struck of superhuman excellence; and though the reference is, on the surface, only to physical perfection, yet beneath that there lies the deeper reference to a character which spoke through the eloquent frame, and in which all possible beauties and sovereign graces were united in fullest development, in most harmonious co-operation and unstained purity.