That brings us to the most important aspect of Hezekiah's great sacrifice. It sets forth the stages by which men can approach to God. It is symbolic of spiritual facts, and prophetic of Christ's work and of our way of coming to God through Him. The first requisite for Judah's return to Jehovah, whom they had forsaken, was the presentation of a 'sin offering.' The king and the congregation laid their hands on the heads of the goats, thereby, as it were, transferring their own sinful personality to them. Thus laden with the nation's sins, they were slain, and in their death the nation, as it were, bore the penalty of its sin. Representation and substitution were dramatised in the sacrifice. The blood sprinkled on the altar (which had previously been 'sanctified' by sprinkling of blood, and so made capable of presenting what touched it to Jehovah), made 'atonement for all Israel.' We note in passing the emphasis of 'Israel' here, extending the benefit of the sacrifice to the separated tribes of the Northern Kingdom, in a gush of yearning love and desire that they, too, might be reconciled to Jehovah. And is not this the first step towards any man's reconciliation with God? Is not 'My faith would lay her hand On that dear head of Thine,' the true expression of the first requisite for us all? Jesus is the sin-offering for the world. In His death He bears the world's sin. His blood is presented to God, and if we have associated ourselves with Him by faith, that blood sprinkled on the altar covers all our sins. Then followed in this parabolic ceremonial the burnt offering. And that is the second stage of our return to God, for it expresses the consecration of our forgiven selves, as being consumed by the holy and blessed fire of a self-devotion, kindled by the 'unspeakable gift,' which fire, burning away all foulness, will make us tenfold ourselves. That fire will burn up only our bonds, and we shall walk at liberty in it. And that burnt-offering will always be accompanied with 'the song of Jehovah,' and the joyful sound of the trumpets and 'the instruments of David.' The treasures of Christian poetry have always been inspired by the Cross, and the consequent rapture of self-surrender. Calvary is the true fountain of song.