Take, for instance, the very journey which I am speaking of now. Christ went up to Jerusalem, says my text. What did He go there for? He went, as you will see, if you look at the previous circumstance,--He went in order, if I might use such a word, to precipitate the collision, and to make His Crucifixion certain. He was under the ban of the Sanhedrim; but perfectly safe as long as He had stopped up among the hills of Galilee. He was as unsafe when He went up to Jerusalem as John Huss when he went to the Council of Constance with the Emperor's safe-conduct in his belt; or as a condemned heretic would have been in the old days, if he had gone and stood in that little dingy square outside the palace of the Inquisition at Rome, and there, below the obelisk, preached his heresies! Christ had been condemned in the council of the nation; but there were plenty of hiding-places among the Galilean hills, and the frontier was close at hand, and it needed a long arm to reach from Jerusalem all the way across Samaria to the far north. Knowing that, He steadfastly set His face to go to Jerusalem, and, if I might use the expression, went straight into the lion's mouth. Why? Because He chose to die. And, then, take another circumstance. If you will look carefully at the Scripture narrative, you will find that from about this point in His life onwards there comes a distinct change in one very important respect. Before this He shunned publicity; after this He courted it. Before this, when He spoke in veiled words of His sufferings, He said to His disciples, 'Tell no man till the Son of man be risen from the dead.' Hereafter though there are frequent prophecies of His sufferings, there is no repetition of that prohibition. He goes up to Jerusalem, and His triumphal entry adds fuel to the fire. His language at the last moment appeals to the publicity of His final visit to that city--'Was I not daily with you in the Temple and ye laid no hands upon Me?' Everything that He could do He does to draw attention to Himself--everything, that is to say, within the limits of the divine decorum, which was ever observed in His life, of whom it was written long, long ago, 'He shall not strive, nor cry, nor cause His voice to be heard in the streets.' There is, then, a most unmistakable change to be felt by any who will carefully read the narratives in their bearing upon this one point--a resolve to draw the eyes of the enemy upon Himself.