Notice, too, the manifold antitheses of the words. Barabbas is set against Christ; the Holy One and the Just against a robber, the Prince of Life against a murderer. 'You killed'--'the Prince of Life.' 'You killed'--'God raised.' There are here three paradoxes, three strange and contradictory things: the paradoxes of man's perverted and fatal choice, of man's hate bringing death to the Lord of life, and of God's love and power causing life to come by death. I. The paradox of man's fatal choice. There occurs often in history a kind of irony in which the whole tendency of a time or of a conflict is summed up in a single act, and certainly the fact which is referred to here is one of these. Let us put it as it would have seemed to an onlooker then, leaving out for the moment any loftier meaning which may attach to it. Peter's words here, thus boldly addressed to the people, are a strong testimony to the impression which the character of Christ had made on His contemporaries. 'The Holy One and the Just' implies moral perfection. The whole narrative of the Crucifixion brings out that impression. Pilate's wife speaks with awe of 'that just person.' 'Which of you convinceth me of sin?' 'If I have done evil, bear witness of the evil.' 'I find no fault in Him.' We may take it for granted that the impression Jesus made among His contemporaries was, at the lowest, that He was a pure and good man. The nation had to choose one of two. Jesus was the one; who was the other? A man half brigand, half rebel, who had raised some petty revolt against Rome, more as a pretext for robbery and crime than from patriotism, and whose hands reeked with blood. And this was the nation's hero!