Expositor's Bible: The Book of JobWatson, Robert A. (Robert Alexander)
Religion
Expositor's Bible: The Book of Job
Watson, Robert A. (Robert Alexander)
Bible. Job -- Commentaries
So the writer ends the second act of the drama, and the controversy
remains much where it was. The meaning of calamity, the nature of the
Divine government of the world are not extracted. This only is made
clear, that the opinion maintained by the three friends cannot stand. It
is not true that joy and wealth are the rewards of virtuous life. It is
not always the case that the evil-doer is overcome by temporal disaster.
It is true that to good and bad alike death is appointed, and together
they lie down in the dust. It is true that even then the good man's
grave may be forsaken in the desert, while the impious may have a
stately sepulchre. A new way is made for human thought in the exposure
of the old illusions and the opening up of the facts of existence.
Hebrew religion has a fresh point of departure, a clearer view of the
nature and end of all things. The thought of the world receives a
spiritual germ; there is a making ready for Him who said, "A man's life
consisteth not in the abundance of the things which he possesseth," and
"What doth it profit a man to gain the whole world, and forfeit his
life?" When we know what the earthly cannot do for us we are prepared
for the gospel of the spiritual and for the living word.
FOOTNOTES:
[3] Emerson, Essay III. "Compensation."
[4] Bushnell, "Moral Uses of Dark Things."
THE THIRD COLLOQUY.
XIX.
_DOGMATIC AND MORAL ERROR._
ELIPHAZ SPEAKS. CHAP. xxii.
The second colloquy has practically exhausted the subject of debate
between Job and his friends. The three have really nothing more to say
in the way of argument or awful example. It is only Eliphaz who tries
to clinch the matter by directly accusing Job of base and cowardly
offences. Bildad recites what may be called a short ode, and Zophar,
if he speaks at all, simply repeats himself as one determined if
possible to have the last word.
Public-domain text, read in full here on John Shaqi.
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