The longing for death which now returns on Job is not so passionate as before; but his cry is quite as urgent and unqualified. As we have already seen, no motion towards suicide is at any point of the drama attributed to him. He does not, like Shakespeare's Hamlet, whose position is in some respects very similar, question with himself, "Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them?" Nor may we say that Job is deterred from the act of self-destruction by Hamlet's thought, "The dread of something after death" that "makes us rather bear those ills we have Than fly to others that we know not of." Job has the fear and faith of God still, and not even the pressure of "unsparing pain" can move him to take into his own hands the ending of that torment God bids him bear. He is too pious even to dream of it. A true Oriental, with strong belief that the will of God must be done, he could die without a murmur, in more than stoical courage; but a suicide he cannot be. And indeed the Bible, telling us for the most part of men of healthy mind, has few suicides to record. Saul, Zimri, Ahithophel, Judas, break away thus from dishonour and doom; but these are all who, in impatience and cowardice, turn against God's decree of life. Here, then, the strong religious feeling of the writer obliges him to reject that which the poets of the world have used to give the strongest effect to their work. From the Greek dramatists, through Shakespeare to Browning, the drama is full of that quarrel with life which flies to suicide. In this great play, as we may well call it, of Semitic faith and genius, the ideas are masterly, the hold of universal truth is sublime. Perhaps the author was not fully aware of all he suggests, but he feels that suicide serves no end: it settles nothing; and his problem must be settled. Suicide is an attempt at evasion in a sphere where evasion is impossible. God and the soul have a controversy together, and the controversy must be worked out to an issue. Job has not cursed God nor denied his words. With this clear conscience he is not afraid to die; yet, to keep it, he must wait on the decision of the Almighty--that it would please God to crush him, or tear him off like a branch from the tree of life. The prospect of death, if it were granted by God, would revive him for the last moment of endurance. He would leap up to meet the stroke, God's stroke, the pledge that God was kind to him after all. "Where he stands, the Arch Fear in a visible form, Yet the strong man must go: For the journey is done and the summit attained, And the barriers fall, Though a battle's to fight ere the guerdon be gained, The reward of it all.... I would hate that death bandaged my eyes, and forbore, And bade me creep past."