Those who have heard the Miserere in the Sistine Chapel describe the desolation which settles upon the soul which surrenders itself to the impression of the ritual. As the psalm proceeds, at the end of each rhythmical pulsation of thought, each beat of the alternate wings of the parallelism, a light upon the altar is extinguished. As the wail grows sadder the darkness grows deeper. When all the lights are out and the last echo of the strain dies away, there would be something suitable for the penitent's mood in the words--"the world passeth away, and the lust thereof." Upon the altar of the Christian heart there are tapers at first unlighted, and before it a priest in black vestments. But one by one the vestments are exchanged for others which are white; one after another the lamps are lighted slowly and without noise, until gradually, we know not how, the whole place is full of light. And ever sweeter and clearer, calm and happy, with a triumph which is at first repressed and reverential, but which increases as the light becomes diffused, the words are heard strong and quiet--a plain-song now that will swell into an anthem presently--"he that doeth the will of God abideth for ever." NOTES. Ch. ii. 12-17. Ver. 12, 13, 14. These verses cannot properly be divided so as to embrace three departments of spiritual, answering to three departments of natural, life. All believers are addressed _authoritatively_ as "children" in the faith, _tenderly_ as "little children;" then subdivided into two classes only, "fathers," and "young men." _Confirmation_ is justly found implied here. Ver. 16. Hardy's comment is quaint, and interesting. "These three are 'all that is in the world;' they are the world's cursed trinity; according to that of the poet, Ambitiosus honos, et opes, et fœda voluptas; Hæc tria pro trino numine mundus habet, which wicked men adore and worship as deities; in which regard Lapide opposeth them to the three persons in the blessed Trinity: the lust of the eyes to the Father, who is liberal in communicating His essence to the Son and the Spirit; the lust of the flesh to the Son, whose generation is spiritual and eternal; the pride of life to the Holy Ghost, who is the Spirit of humility. That golden calf, which, being made, was set up and worshipped by the Israelites in the wilderness, is not unfitly made use of to represent these: the calf, which is a wanton creature, an emblem of the lust of flesh; the gold of the calf, referring to the lust of the eyes; and the exalting it, to the pride of life. Oh, how do the most of men fall down before this golden calf which the world erecteth."