Expositor's Bible: The Epistles of St. JohnAlexander, William
Religion
Expositor's Bible: The Epistles of St. John
Alexander, William
Bible. Epistles of John -- Commentaries
For we all know how different things, persons, truths, ideas may
become, as they are seen at different times and in different lights,
as they are seen in relation to God and truth or outside that
relation. The bread in Holy Communion is unchanged in _substance_; but
some new and glorious relation is superadded to it. It is devoted by
its consecration to the noblest _use_ manward and Godward, so that St.
Paul speaks of it with hushed reverence as "_The Body_."[229] It seems
to be a part of the same law that some one--once perhaps frivolous,
common-place, sinful--is taken into the hand of the great High Priest,
broken with sorrow and penitence, and blessed; and thereafter he is at
once personally the same, and yet another higher and better by that
awful consecration to another use. So again with some truth of creed
or catechism which we have fallen into the fallacy of supposing that
we know because it is familiar. It may be a truth that is sweet or
one that is tremendous. It awaits its consecration, its blessing, its
transformation into a something which in itself is the same yet which
is other to us. That is to say, the familiar truth is old, in itself,
in substance and expression. It needs no other, and can have no better
formula. To change the formula would be to alter the truth; but to us
it is taught newly with a fuller and nobler exposition by the unction
which is "ever teaching," whereby we "know all things."
NOTES.
Ch. ii. 18-28.
Ver. 18. A _last hour_,] εσχατη ὡρα. "Hour" is used in all St. John's
writings of a definite point of time, which is also providentially
fixed. (Cf. John xvii. 1; Apoc. iii. 3.) In something of this elevated
signification Shakespeare appears to employ the word in _The Tempest_
in relation to his own life:
_Prospero._ "How's the day?"
_Ariel._ "On the _sixth hour_; at which time, my lord,
You said our work should cease."
Each decade of years is here looked upon as a providentially fixed
duration of time. The poet intended to retire from the work of
imaginative poetry when his life should draw on towards sixty years of
age.
Public-domain text, read in full here on John Shaqi.
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