Whether the narrative of the Anointing is inserted in its chronological order we cannot say, for the Evangelist gives us no word by which we may recognize either its time or its place-relation; but we can easily see that it falls into the story artistically, with a singular fitness. Going back to the context, we find Jesus pronouncing a high eulogium upon John the Baptist. Hereupon the Evangelist adds a statement of his own, calling attention to the fact that even John's ministry failed to reach and influence the Pharisees and lawyers, who rejected the counsel of God, and declined the baptism of His messenger. Then Jesus, in one of His brief but exquisite parables, sketches the character of the Pharisees. Recalling a scene of the market-place, where the children were accustomed to play at "weddings" and "funerals"--which, by the way, are the only games at which the children of the land play to-day--and where sometimes the play was spoiled and stopped by some of the children getting into a pet, and lapsing into a sullen silence, Jesus says that is just a picture of the childish perversity of the Pharisees. They respond neither to the mourning of the one nor to the music of the other, but because John came neither eating bread nor drinking wine, they can him a maniac, and say, "He hath a devil;" while of Jesus, who has no ascetic ways, but mingles in the gatherings of social life, a Man amongst men, they say, "Behold a gluttonous man and a wine-bibber, a friend of publicans and sinners." And having recorded this, our Evangelist inserts, as an appropriate sequel, the account of the supper in the Pharisee's house, with its idyllic interlude, played by a woman's hand, a narrative which shows how Wisdom is justified of all her children, and how these condescensions of Jesus, His intercourse with even those who were ceremonially or morally unclean, were both proper and beautiful.