Perhaps, too, another consideration influenced the Evangelist, and one that is suggested by the studied vagueness of the narrative. He gives no clue as to where the little incident occurred, for the "certain village" might be equally appropriate in Samaria or Judæa; while the two names, Martha and Mary, apart from the corroboration of St. John's Gospel, would not enable us to localize the scene. It is evident that St. Luke wished to throw around them a sort of _incognito_, probably because they were still living when he wrote, and too great publicity might subject them to inconvenience, or even to something more. And so St. Luke considerately masks the picture, shutting off the background of locality, while St. John, who writes at a later date, when Jerusalem has fallen, and who is under no such obligation of reserve, fixes the scene precisely; for there can be no doubt that the Mary and Martha of his Gospel, of Bethany, are the Martha and Mary of St. Luke; their very characters, as well as names, are identical. It was in one of His journeys to the south, though we have no means of telling which, that He came to Bethany, a small village on the eastern slope of Olivet, and about three-quarters of an hour from Jerusalem. There are several indications in the Gospels that this was a favourite resort of Jesus during His Judæan ministry (Matt. xxi. 1; John viii. 1); and it is somewhat singular that the only nights that we read He spent in Jerusalem were the night in the garden and the two nights He slept in its grave. He preferred the quiet haven of Bethany; and though we cannot with absolute certainty recognize the village home where Jesus had such frequent welcome, yet throwing the side-light of John xi. 5 upon the haze, it seems in part to lift; for the deep affection Jesus had for the three implies a close and ripened intimacy. St. John, in his allusions to the family, makes Mary prominent, giving precedence to her name, as he calls Bethany "the village of Mary and her sister Martha" (John xi. 1). St. Luke, however, makes Martha the central figure of his picture, while Mary is set back in the shade, or rather in the sunshine of that Presence which was and is the Light of the world. It was, "Martha received Him into her house." She was the recognized head of the family, "the lady" in fact, as well as by the implication of her name, which was the native equivalent of "lady." It was she who gave the invitation to the Master, and on her devolved all the care of the entertainment, the preparation of the feast, and the reception of the guests; for though the change of pronoun in ver. 38 from "they" to "Him" would lead us to suppose that the disciples had gone another way, and were not with Him now, still the "much serving" would show that it was a special occasion, and that others had been invited to meet Jesus.