Expositor's Bible: The Gospel of St LukeBurton, Henry
Religion
Expositor's Bible: The Gospel of St Luke
Burton, Henry
Bible. Luke -- Commentaries
And so this greatest of the prophets was but human, and therefore
fallible. He saw the Christ, no longer afar off, but near--yea,
present; but he saw in part, and he prophesied in part. He did not see
the whole Christ, or grasp the full purport of His mission. He stood on
the threshold of the kingdom; but the least of those who should pass
within that kingdom should stand on a higher vantage-ground, and so be
greater than he. Indeed, it seems scarcely possible that John could have
fully understood Jesus; the two were so entirely different. In dress, in
address, in mode of life, in thought the two were exact opposites. John
occupies the border-region between the Old and the New; and though his
life appears in the New, he himself belongs rather to the Old
Dispensation. His accent is Mosaic, his message a tritonomy, a third
giving of the law. When asked the all-important question, "What shall we
do?" John laid stress on works of charity, and by his metaphor of the
two coats he showed that men should endeavour to equalize their mercies.
And when publicans and soldiers ask the same question John gives a sort
of transcript of the old tables, striking the negatives of duty: "Extort
no more than that which is appointed you;" "Do violence to no man."
Jesus would have answered in the simple positive that covered all
classes and all cases alike: "Thou shalt love thy neighbour as thyself."
But such was the difference between the Old and the New: the one said,
"Do, and thou shalt live;" the other said, "Live, and thou shalt do."
The voice of John awoke the conscience, but he could not give it rest.
He was the preparer of the way; Jesus was the Way, as He was the Truth
and the Life. John was the Voice; Jesus was the Word. John must
"decrease" and disappear; Jesus must "increase," filling all times and
all climes with His glorious, abiding presence.
Public-domain text, read in full here on John Shaqi.
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