Eye Spy: Afield with Nature Among Flowers and Animate ThingsGibson, W. Hamilton (William Hamilton)
History
Eye Spy: Afield with Nature Among Flowers and Animate Things
Gibson, W. Hamilton (William Hamilton)
Insects; Natural history; Natural history -- Outdoor books
In previous papers I have indicated some of the remarkable pranks
which the various ichneumon-flies play with unsuspecting caterpillars.
The polyphemus, for instance, whose cocoon, filled with hopes of a
beautiful butterfly existence, yields only a swarm of wasps. The
caterpillars are helpless, and would seem an easy prey to the wily fly
who lays her eggs upon them; but even the agile-winged "Quaker," and
doubtless many of his kind--yes, and still more agile insects--are not
quick enough to escape a like fate.
At the time of my discovery I had in preparation an article for
"Harper's Magazine" entitled "Among Our Footprints." I wished to
describe and illustrate a singular battle which I had shortly before
observed between a large red mutilla ant and a "Quaker." The mutilla I
had captured at the time, and had preserved as a specimen. I needed
only the grasshopper to complete my drawing. Directly in front of my
city house a number of vacant grassy lots offered a favorite haunt for
the insects--I used to call it the Quaker camp-meeting ground--and I
started out to procure one. Having no net, I was soon convinced that I
was greatly at a disadvantage. The thermometer was about 90°, and, of
course, the "Quakers," being in their element, had much the best, not
to say the easiest, time of it. I at length gave up the chase, and was
about leaving the field, when fortune favored me by the discovery of a
clumsy specimen, which seemed unable to fly for any great length, and
he was soon captured. Upon examination his wings seemed partially
paralyzed, but otherwise he appeared to be in good health and spirits,
his hind legs being especially lively and snappy. I immediately took
the insect to my studio, and pinned him through the thorax. He was
strong enough to pull out the pin from the board and jump around the
room with it in my temporary absence.
I lost no time in taking his portrait, which figured in the
illustration to the article on "Footprints" as "the ungainly victim,"
I little dreaming when I gave him such a title what a remarkable sort
of victim he even then was. The drawing took me about ten minutes. I
then left the studio, and was absent precisely fifteen minutes. Upon
returning I found the grasshopper dead.
Public-domain text, read in full here on John Shaqi.
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