Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
Their origin was, in the last century, a subject of controversy.
Following two or three vague and equivocal passages, some learned
writers pronounced the catacombs to have been originally heathen
excavations, made to extract sand for the building of the city. These
sand-pits were called _arenaria_, and so occasionally are the Christian
cemeteries. But a more scientific and minute examination, particularly
made by the accurate F. Marchi, has completely confuted this theory. The
entrance to the catacombs was often, as can yet be seen, from these
sand-pits, which are themselves under ground, and no doubt were a
convenient cover for the cemetery; but several circumstances prove that
they were never used for Christian burial, nor converted into Christian
cemeteries.
The man who wishes to get the sand out of the ground will keep his
excavation as near as may be to the surface; will have it of easiest
possible access, for drawing out materials; and will make it as ample as
is consistent with the safety of the roof, and the supply of what he is
seeking. And all this we find in the _arenaria_ still abounding round
Rome. But the catacombs are constructed on principles exactly contrary
to all these.
The catacomb dives at once, generally by a steep flight of steps, below
the stratum of loose and friable sand,[87] into that where it is
indurated to the hardness of a tender, but consistent rock; on the
surface of which every stroke of the pickaxe is yet distinctly
traceable. When you have reached this depth you are in the first story
of the cemetery, for you descend again by stairs to the second and third
below, all constructed on the same principle.
A catacomb may be divided into three parts, its passages or streets, its
chambers or squares, and its churches. The passages are long, narrow
galleries, cut with tolerable regularity, so that the roof and floor are
at right angles with the sides, often so narrow as scarcely to allow two
persons to go abreast. They sometimes run quite straight to a great
length; but they are crossed by others, and these again by others, so as
to form a complete labyrinth, or net-work, of subterranean corridors. To
be lost among them would easily be fatal.
But these passages are not constructed, as the name would imply, merely
to lead to something else. They are themselves the catacomb or cemetery.
Their walls, as well as the sides of the staircases, are honeycombed
with graves, that is, with rows of excavations, large and small, of
sufficient length to admit a human body, from a child to a full-grown
man, laid with its side to the gallery. Sometimes there are as many as
fourteen, sometimes as few as three or four, of these rows, one above
the other. They are evidently so made to measure, that it is probable
the body was lying by the side of the grave, while this was being dug.
Public-domain text, read in full here on John Shaqi.
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