Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
Euphrosyne had all the servants interrogated, and many even searched, to
Syra’s great pain and confusion; and then ordered a grand general battue
through every part of the house where Syra had been. Who for a moment
could have dreamt of suspecting a noble guest at the master’s table of
purloining any article, valuable or not? The old lady therefore came to
the conclusion, that the scarf had been spirited away by some magical
process; and greatly suspected that the black slave Afra, who she knew
could not bear Syra, had been using some spell to annoy the poor girl.
For she believed the Moor to be a very Canidia,[34] being often obliged
to let her go out alone at night, under pretence of gathering herbs at
full moon for her cosmetics, as if plucked at any other time, they would
not possess the same virtues; to procure deadly poisons Euphrosyne
suspected, but in reality to join in the hideous orgies of Fetichism[35]
with others of her race, or to hold interviews with such as consulted
her imaginary art. It was not till all was given up, and Syra found
herself alone, that on more coolly recollecting the incidents of the
day, she remembered the pause in Fulvius’s walk across the court, at the
very spot where she had stood, and his hurried steps, after this, to the
door. The conviction then flashed on her mind, that she must have there
dropped her kerchief, and that he must have picked it up. That he should
have passed it with indifference she believed impossible. She was
confident, therefore, that it was now in his possession. After
attempting to speculate on the possible consequences of this
misadventure, and coming to no satisfactory conclusion, she determined
to commit the matter entirely to God, and sought that repose which a
good conscience was sure to render balmy and sweet.
Fabiola, on parting with Agnes, retired to her apartment; and after the
usual services had been rendered to her by her other two servants and
Euphrosyne, she dismissed them with a gentler manner than ever she had
shown before. As soon as they had retired, she went to recline upon the
couch where first we found her; when, to her disgust, she discovered
lying on it the style with which she had wounded Syra. She opened a
chest, and threw it in with horror; nor did she ever again use any such
weapon.
[Illustration: _Volumina_, from a painting of Pompeii. _Scrinium_, from
a picture in the Cemetery of St. Callistus.]
Public-domain text, read in full here on John Shaqi.
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