There appeared the Bukhara morning-gown, wide open over the broad chest with its chintz shirt, the pipe with its amber, the lackey with soft manners, tea, the odour of tobacco; a loud male voice was heard in Chevalier's apartments; there resounded the morning kisses, and the voices of daughter and son, and the Decembrist was as much at home as in Irkútsk, and as he would have been in New York or in Paris. No matter how much I should like to present to my readers the Decembrist hero above all foibles, I must confess, for truth's sake, that Peter Ivánovich took great pains in shaving and combing himself, and in looking at himself in the mirror. He was dissatisfied with the garments, which had been made in Siberia with little elegance, and two or three times he buttoned and unbuttoned his coat. But Natálya Nikoláevna entered the drawing-room, rustling with her black moire gown, with mittens and with ribbons in her cap, which, though not according to the latest fashion, were so arranged that, far from making her appear _ridicule_, they made her look _distinguée_. For this ladies have a special sixth sense and perspicacity, which cannot be compared to anything. Sónya, too, was so dressed that, although she was two years behind in fashion, she could not be reproached in any way. On her mother everything was dark and simple, and on the daughter bright and cheerful. Serézha had just awakened, and so they went by themselves to mass. Father and mother sat in the back seat, and their daughter was opposite them. Vasíli climbed on the box, and the hired carriage took them to the Kremlin. When they got out of the carriage, the ladies adjusted their robes, and Peter Ivánovich took the arm of his Natálya Nikoláevna, and, throwing back his head, walked up to the door of the church. Many people, merchants, officers, and everybody else, could not make out what kind of people they were.