The apologue[3] is from the immortal gods; Or, if the gift of man it is, Its author merits apotheosis. Whoever magic genius lauds Will do what in him lies To raise this art's inventor to the skies. It hath the potence of a charm, On dulness lays a conquering arm, Subjects the mind to its control, And works its will upon the soul. O lady, arm'd with equal power, If e'er within celestial bower, With messmate gods reclined, My muse ambrosially hath dined, Lend me the favour of a smile On this her playful toil. If you support, the tooth of time will shun, And let my work the envious years outrun. If authors would themselves survive, To gain your suffrage they should strive. On you my verses wait to get their worth; To you my beauties all will owe their birth,-- For beauties you will recognize Invisible to other eyes. Ah! who can boast a taste so true, Of beauty or of grace, In either thought or face? For words and looks are equal charms in you. Upon a theme so sweet, the truth to tell, My muse would gladly dwell: But this employ to others I must yield;-- A greater master claims the field. For me, fair lady, 'twere enough Your name should be my wall and roof. Protect henceforth the favour'd book Through which for second life I look. In your auspicious light, These lines, in envy's spite, Will gain the glorious meed, That all the world shall read. 'Tis not that I deserve such fame;-- I only ask in Fable's name, (You know what credit that should claim;) And, if successfully I sue, A fane will be to Fable due,-- A thing I would not build--except for you. [1] Here commences the second collection of La Fontaine's Fables, comprising Books VII. to XI. This collection was published in 1678-9, ten years after the publication of the foregoing six Books. See Translator's Preface. [2] _Madame de Montespan_.--Francoise-Athénaïs de Rochechouart de Mortemart, Marquise de Montespan, born 1641, died 1707. She became one of the mistresses of the "Grand Monarque," Louis XIV., in 1668. [3] _The apologue._--Here, as in the opening fable of Books V. and VI., and elsewhere, La Fontaine defines Fable and defends the art of the Fabulist. I.--THE ANIMALS SICK OF THE PLAGUE.[4]