Entomologists -- France -- Biography; Fabre, Jean-Henri, 1823-1915
So intimate is the life which he leads among them all that he makes himself
truly their companion, and relates his own history in narrating theirs;
pleased to discover in their joys and sorrows his own trials and delights;
mingling in their annals his memories and his impressions; delightful
fragments of a childlike autobiography, encrusted in his learned work;
moving and delightful pages in which all the ingenuity of this noble mind
reveals itself with a touching sincerity, in which all the freshness of
this charming and so profoundly unworldly nature is seen as through a pure
crystal.
There is no real communion with nature without sentiment, without an
illuminating passion: often the sole and effectual grace which enables its
true meaning to appear. Neither taste, nor intelligence, nor logic, nor all
the science of the schools can suffice alone. To see further there is
needed something like a gift of correspondence, surpassing the limits of
observation and experience, which enables us to foresee and to divine the
profound secrets of life which lie beneath appearances. Those who are so
gifted have often only to open their eyes in order to grasp matters in
their true light.
A great observer is in reality a poet who imagines and creates. The
microscope, the magnifying glass, the scalpel, are as it were the strings
of a lyre. "The felicitous and fruitful hypothesis which constitutes
scientific invention is a gift of sentiment" in the words of Claude
Bernard; and of this king of physiology, who commenced by proving himself
in works of pure imagination, and whose genius finally took for its theme
the manifold variations of living flesh, of him too may we not say that he
has explored the labyrinths of life with "the torch of poetry in his hand"?
Similarly, do not the harmonious sequences which run through all the
admirable discoveries of Pasteur give us the sensation of a veritable and
gigantic poem?
In Fabre also it seems that the passion which he brings to all his patient
observations is in itself truly creative: "his heart beats with emotion,
the sweat drips from his brow to the soil, making mortar of the dust"; he
forgets food and drink, and "thus passes hours of oblivion in the happiness
of learning." I have seen him in his laboratory studying the spawning of
the bluebottle, when I, at his side, could scarcely support the horrible
stench which rose from the putrefying adders and lumps of meat; he,
however, was oblivious of the frightful odour, and his face was inundated
with smiles of delight.
Intelligence, then, must here be the servant of feeling and intuition; a
kind of primitive faculty, mysterious and instinctive, which alone makes a
great naturalist like Fabre, a great historian like Michelet, a great
physician like Boherhaave or Bretonneau.
Public-domain text, read in full here on John Shaqi.
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