Now this awkwardly shaped skin is enclosed in a sheath that is formed
in exactly the same way. Each spur is fitted into a similar spur, each
tooth into the hollow of a similar tooth. And the sheath is as close
and as thin as a coat of varnish.
Nevertheless the saw-like skin slips out of its long narrow case
without catching in it at any point whatever. If I had not seen this
happen over and over again I could never have believed it. The saw does
no injury to the dainty scabbard which a puff of my breath is enough to
tear; the formidable rake slips through without leaving the least
scratch behind it.
One would expect that, because of the spiked armour, the envelope of
the leg would strip off in scales coming loose of themselves, or would
be rubbed off like dead skin. But the reality exceeds all possible
expectation. From the spurs and spikes of the infinitely thin envelope
there are drawn spurs and spikes so strong that they can cut soft wood.
This is done without violence, the discarded skin remains where it was,
hanging by the claws to the top of the cage, uncreased and untorn. The
magnifying-glass shows not a trace of rough usage.
If it were suggested that one should draw out a saw from some sort of
gold-beater’s skin sheath which had been exactly moulded on the steel,
and that one should perform the operation without making the least
tear, one would simply laugh. The thing would be impossible. Yet Nature
makes light of such impossibilities; she can realise the absurd, in
case of need.
The difficulty is overcome in this way. While the leg is being
liberated it is not rigid, as it will presently be. It is soft and
highly flexible. Where it is exposed to view I see it bending and
curving: it is as supple as elastic cord. And farther on, where it is
hidden, it is certainly still softer, it is almost fluid. The teeth of
the saw are there, but have none of their future sharpness. The spikes
lie backwards when the leg is about to be drawn back: as it emerges
they stand up and become solid. A few minutes later the leg has
attained the proper state of stiffness.
And now the fine tunic is wrinkled and rumpled, and pushed back along
the body towards the tip. Except at this point the Locust is bare.
After a rest of twenty minutes he makes a supreme effort; he raises
himself as he hangs, and grabs hold of his cast skin. Then he climbs
higher, and fixes himself to the wire of the cage with his four front
feet. He loosens the empty husk with one last shake, and it falls to
the ground. The Locust’s transformation is conducted in much the same
way as the Cicada’s.
Public-domain text, read in full here on John Shaqi.
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