so the materialization of a very human form was brought to a close.
To this may be added--to illustrate the barefacedness of the medium's
business--the fact, communicated to me by Dr. Furness, that a noted
medium had visited a professional juggler, and, "making no secret to
him of his trickery as a medium for independent slate-writing, had
purchased from the juggler several other tricks with which to carry
on his spiritualistic trade."
There is both entertainment and instruction in Dr. Knerr's account
of a séance in which the spirit of an Indian and the mysterious
use of a drum were to form parts of the performance. He tells of
his success in getting some printer's ink on the drum-sticks just
before the lights were lowered, and of the bewildered astonishment
(when the lights were turned up after the Indian had manifested) at
the condition of the medium's hands. "How in the world printer's
ink could have gotten smeared over them while under the control of
'Deerfoot, the Indian,' no one, not even the medium, could fathom."
We may read how a medium who professed to materialize a "spirit"
right-hand while apparently holding his sitter's hand or arm with
both his own, was shown to imitate this double grip with one hand
and to do the hocus-pocus with the other. We may vary the nature of
the fraud almost indefinitely and observe how universal, how coarse,
how degrading it is, and how readily it may be induced to leave its
hiding-place to snatch at a cunningly offered bait,--until in the
end, if it were not so sad, it would be only ridiculous.
Public-domain text, read in full here on John Shaqi.
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