We may now consider a few typical results. Fig. 2, an ordinary average result, was obtained while the subject was calling out the names of a series of small patches of color, displayed on the wall facing him, about eight feet distant. It will be observed that the movement (which in all the illustrations has its beginning marked by an A and its end by a Z) proceeds irregularly but decidedly _towards_ the object upon which the attention was fixed. As a rule the subject is unaware of the movement which his hand has made, and exercises no essential control over the results; indeed it is likely that he is considerably surprised when the results are first shown to him. At times he becomes conscious of the loss of equilibrium of the apparatus, but the indication is rarely sufficiently definite to inform him of the direction of the movement. Not infrequently, the movement is performed with complete unconsciousness, and is accompanied by a strong conviction that the apparatus has been stationary. In several cases an intentional simulation of the movements was produced for comparison with the involuntary records; the result was quite generally a very different and coarser type of movement, readily distinguishable from the involuntary writings. A prominent characteristic of practically all of the movements is their irregular and jerky character; the hand for a time oscillates about uncertainly, and then moves rather suddenly and quickly in a given direction; then another period of hesitation, again a more or less sharp advance, and so on. It is probable that it is these repeated brief movements of more vigorous indication of the direction of the subject's attention, that the muscle-reader waits for and utilizes. [Illustration: FIG. 3.--READING COLORS ARRANGED IN THREE ROWS. Time of record, 90 seconds. The first line was read in the direction ↓; the second in the direction ↑; and the third again ↓. At the turn from the second to the third line the record is interrupted. Shows movement of the hand parallel with the movement of the attention.]