The simplest type of a deception occurs when an inference or an
interpretation of this type, owing to an _unusual disposition of
external circumstances_, leads to a conclusion which other and
presumably superior testimony shows to be false. Thus, in the
observation which Aristotle knew and described, that a pea or other
round object held between two fingers crossed one over the other
seems double, it is the unusual position of the fingers that induces
the illusion. Under ordinary circumstances a sensation of contact
on the left side of one finger and on the right side of the finger
next to it (to the right) could only be produced by the simultaneous
application of two bodies. We unconsciously and naturally make
the same inference when the fingers are crossed, and thus fall
into error--an error, it is important to observe, which we do not
_outgrow_ but _antagonize_ by more convincing evidence. The pea held
between the crossed fingers continues to _feel_ like two peas, but we
are under no temptation to _believe_ that there really are two peas.
The limitations of our senses lead directly to the possibilities
of their deception, which may in turn be realized inadvertently
or utilized intentionally. We appreciate how defective is our
localization of sound when we attempt to find a cricket by locating
whence proceeds its chirp; the same difficulty lends uncertainty
to the determination of the direction of fog-horn signals of
passing steamers. This uncertainty coöperates in the illusions of
ventriloquism; it is involved in the smack which one clown gives
another, but which is really the clapping of the hands of the
supposed victim; it produces a realistic effect when a cannon is
fired on the stage, for it is necessary only to show the flash while
the noise is produced behind the scenes. Again, the stimulation of
the retina is ordinarily due to the impinging upon it of light-waves
emanating from an external object. Accordingly, when the retina is
disturbed by any exceptional cause, such as a blow on the head or
an electric shock to the optic nerve, we have a sensation of light
projected outward into space. The perception of our own locomotion,
which is likewise a highly inferential process, offers illustrations
of casual illusion and of artificial deception. When on a train, it
is by the passing-by before our eyes in the opposite direction of
trees and posts and other features of the landscape, that we realize
that we are moving forward; accordingly, when a train alongside moves
out before our own train has started, we have a distinct realization
that we are moving backwards so long as we look at the forward-moving
train. There is an illusion devised for amusement called the "Magic
Swing," in which one is apparently swung to and fro with wider and
wider excursions until a complete revolution is apparently made
from a vertical to a horizontal, through the antipodal position,
back to the horizontal and the normal. In reality, only a slight
Public-domain text, read in full here on John Shaqi.
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