Passing next to the most interesting of spiritualistic
manifestations, those in which self-deception comes to the
foreground, I need hardly dwell at length upon the tilting of
tables, the production of raps by movements of which the sitters are
unconscious; for these have been so often and so ably presented that
they must now be well understood. Suffice it to say that it has been
objectively proven that it is almost impossible not to give some
indication of one's thoughts, when put upon the strain; and that
under excitement, these indications may become palpably plain and yet
remain unperceived by the individual who gives them. The extreme
subtlety of these indications is met by the unusual skill of the
professional mind-reader, who takes his clue from indications which
his subject is "absolutely confident he did not give." The assurances
of sitters that _they know_ they did not move the table are equally
valueless; and nothing but objective tests will suffice. The most
wholesome lesson to be derived from the study of these phenomena
is the proof that not all our intentions and actions are under
the control of consciousness, and that, under emotional or other
excitement, the value of the testimony of consciousness is very much
weakened. Again, it is almost impossible to realize the difficulty
of accurately describing a phenomenon lying outside the common range
of observation. Not alone that the knowledge necessary to pronounce
such and such a phenomenon impossible of performance by conjuring
methods is absent, but with due modesty and most sincere intentions
the readiness with which the observing powers and the memory play
one false is overlooked. In the investigation of Mr. Davey, above
referred to, the sitters prepared accounts of the "slate-writing"
manifestations they had witnessed, and described marvels that had
not occurred, but which they were convinced they had seen--messages
written on slates utterly inaccessible to Mr. Davey, and upon slates
which they had noticed a moment before were clean. The witnesses are
honest; how do these mistakes arise? Simply a detail omitted here, an
event out of place there, an unconscious insertion in one place, an
undue importance given to a certain point in another place--nothing
of which any one needs feel ashamed, something which it requires
unusual training and natural gifts to avoid. The mistake lies in not
recognizing our liability to such error.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account