Facts and Speculations on the Origin and History of Playing CardsChatto, William Andrew
History
Facts and Speculations on the Origin and History of Playing Cards
Chatto, William Andrew
Playing cards -- History
At what period the art of wood-engraving was first introduced in
Europe, or in what country it was first practised, has not been
precisely ascertained. Not the slightest allusion is made to its
productions by any writers of the fourteenth century; and the earliest
authentic date that has hitherto been observed on any wood-engraving,
is 1423. A wood-engraving said to contain the date 1418 was indeed
discovered at Malines in 1844, pasted in the inside of an old
chest; but as the numerals have evidently been repaired by means of
a black-lead pencil, both the genuineness and the authenticity of
the date have been very justly questioned. The person by whom it was
found, the keeper of a little public-house, almost immediately sold it
to an architect named De Noter, of whom it was purchased by the Baron
de Reiffenberg, for the Royal Library of Brussels, of which he is the
conservator, and where it is now preserved.[105]
Before this discovery, the earliest wood-engraving with a date, was
the St. Christopher, in Earl Spencer's collection, in which the date
1423, partly in words and partly in numerals--"_Millesimo cccc^o xx^o
tercio_"--is seen engraved in the same manner as the other parts of
the subject. The first person who published an account of the St.
Christopher, was Heineken. When he first saw it, it was pasted on the
inside of the cover of a manuscript volume in the library of Buxheim,
near Memmingen in Suabia, within fifty miles of Augsburg, a city
which appears to have been the abode of wood-engravers almost from
the very commencement of the art in Europe, and in which we find a
card-maker so early as 1418. On the inside of the cover, Heineken also
observed another cut, of the annunciation, of the same size as the St.
Christopher, and apparently executed about the same time. The volume
within whose covers those cuts were pasted, was bequeathed to the
convent by Anna, canoness of Buchaw, who was living in 1427, but who
probably died previous to 1435. The Annunciation, as well as the St.
Christopher, is now in the possession of Earl Spencer.
Public-domain text, read in full here on John Shaqi.
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