"Walk right in, do," urged Mrs. Berry, opening the parlor door. The
captain walked right in. The parlor was high-studded and square-pianoed
and chromoed and oil-portraited and black-walnutted and marble-topped
and hairclothed. Also it had the fullest and most satisfying assortment
of whatnot curios and alum baskets and whale ivory and shell frames and
wax fruit and pampas grass. There was a majestic black stove and window
lambrequins. Which is to say that it was a very fine specimen of a very
best parlor.
"Do sit down, Mr. Kendrick," gushed Mrs. Berry, moving about a good deal
but not, apparently, accomplishing very much. There had been a feather
duster on the piano when they entered, but it, somehow or other, had
disappeared beneath the piano scarf--partially disappeared, that is, for
one end still protruded. The lady's cotton dusting-gloves no longer
protected her hands but now peeped coyly from behind a jig-sawed
photograph frame on the marble mantelpiece. The apron she had worn lay
on the floor in the shadow of the table cloth. These habiliments of
menial domesticity slid, one by one, out of sight--or partially so--as
she bustled and chatted. When, after a moment, she raised a window shade
and admitted a square of sunshine to the grand apartment, one would
scarcely have guessed that there was such drudgery as housework,
certainly no one would have suspected the elegant Mrs. Cordelia Berry of
being intimately connected with it.
She swept--in those days the breadth of skirts made all feminine
progress more or less of a sweep--across the room and swished gracefully
into a chair. When she spoke she raised her eyebrows, at the end of the
sentence she lowered them and her lashes. She smiled much, and hers was
still a pretty smile. She made attractive little gestures with her
hands.
"I am _so_ glad you dropped in, Mr. Kendrick," she declared. "So very
glad. Of course if we had known when you were coming we might have been
a little better prepared. But there, you will excuse us, I know.
Elizabeth and I--Elizabeth is my daughter, Mr. Kendrick.... But it is
_Captain_ Kendrick, isn't it? Of course, I might have known. You look
the sea--you know what I mean--I can always tell. My dear husband was a
captain. You knew that, of course. And in the old days at my girlhood
home so many, _many_ captains used to come and go. Our old home--my
girlhood home, I mean--was always open. I met my husband there.... Ah
me, those days are not these days! What my dear father would have said
if he could have known.... But we don't know what is in store for us, do
we?... Oh, dear!... It's such charming weather, isn't it, Captain
Kendrick?"
Public-domain text, read in full here on John Shaqi.
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