She stopped at the hook, the things in her hand. "That's hard on you,
Tony, and you getting on so well with your work."
She didn't say that she could not have gone on any more ... that the
walk she took the week before to Canal Street had been her last; but
Fairfax, observing her, rendered keen by his own disappointment,
understood. He called her to him, made her sit down on the sofa beside
him.
"Peter has been better to you than I have," he said sadly. "I've tired
you out, my dear, and I've been a selfish brute to you."
He saw that his words gave her pain, and desisted. He was going to be
nothing more from henceforth but an engineer. He would shut the studio
and take her out on Sundays. She received his decision meekly, without
rebuffing it, and he said--
"Molly, if I had not come along, I reckon you would have married Peter
Rainsford. There! Don't look like that!"
"Tony," she replied, "I'd rather be wretched with you--if I were, and
I'm not, dear. I'd rather be unhappy along of you than the happiest
queen."
He kissed her hand with a gallantry new to her and which made her
crimson, and half laugh and half cry.
She went early to bed, and Antony, alone in the kitchen, raked down the
coals, covered the fire in the stove, heard the clock tick and the
whistles of the boat on the river. In the silence of the winter night,
as it fell around him, he thought: "I reckon I'll have to try to make
her happy, even if I cut out my miserable talent and kill it." And as he
straightened himself he felt the Presence there. The solemn Presence
that had come with her to his workshop and kept him company, and it was
so impressive that he passed his hand across his forehead as though
dazed, and opened the door of his bedroom to see her and be assured. She
was already asleep; by her side, the little basket prepared, waited for
the life to come. He stepped in softly, and his heart melted. He knelt
down and buried his face in the pillow by her side, and without waking
she turned her face toward him in her sleep.
CHAPTER XXXII
He did not go to the studio for a month, but though he remained with her
the poor girl profited little by his company. He smoked countless
cigarettes, in spite of the fact that he had doctor's bills to look
forward to. In the long winter evenings he read books that he fetched
from the library while the blizzards and storms swept round the window,
and the next day his duties stared him in the face. He dreamed before
the stove, his cigarette between his fingers, and Molly watched him; but
Rainsford, when he came, did not find her any more alone.
Finally, in the last Sunday of January, after the noon dinner, she
fetched him his coat and muffler.
"I can't let you stay home any more like this, Tony," she told him.
"Take your things and go to the studio; I'm sure you're dying to, and
don't hurry back. I'm feeling fine."
Public-domain text, read in full here on John Shaqi.
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