"Come on then," cried the boy; "whoever it may be, your enemy or my stepfather--we will surprise them yet!" CHAPTER VI In January of the following year he leaned out of the window and smelled Paris, drank it in, penetrated by its fragrance and perfume. He saw the river milkily flowing between the shores, the stones of the quay parapet, the arches of the bridges, the wide domain of roofs and towers. The Sacre-Coeur on Montmartre had not yet begun to rise, though they were laying its foundation stones, and his eyes travelled, as they always did, through the fog to the towers of Notre-Dame with its black, mellow front and its melancholy beauty. The bourdon of the bells smote sympathetically through him. No matter what his state of mind might be, Paris took him out of himself, and he adored it. He was looking upon the first of the winter mists. The first grey mystery had obscured the form of the city. Paris had a new seduction. He could not believe now that he had not been born in France and been always part of the country he had adopted by temperament and spirit. Like all artists, his country was where he worked the best. For him now, unless the place were a workshop, it could never be a hearthstone, and he took satisfaction in recalling his ancestry on his mother's side--Debaillet, or, as they called it in New Orleans, Ballet. As Arabella Ballet his mother had been beautiful; as Mrs. Fairfax she had given him Irish and French blood. "Atavism," he said to Dearborn, "you cannot love this place as I do, Bob. My grandfather escaped in the disguise of a French cook to save his head in 1793. I seem to see his figure walking before me when I cross the Place de la Concorde, and the shadow of the guillotine falls across his path." From his corner of the room Dearborn drawled, "If the substance of the guillotine had fallen across his neck, Tony, where would you be in our mutual history?" Antony had asked his companion to call him Tony. He had not been able to disassociate himself with everything that recalled the past.