She bent forward to him as he sat on the divan. "I wonder why?" she
asked. "Were we not friends? Could you not have trusted me? Do you think
me so narrow and conventional--so stupid?"
"Oh!" he exclaimed, and he smiled a little, thinking of Nora Scarlet.
"It is not quite what you think."
He was angry with her, with the facts of their existence, with her great
fortune, and her engagement to the man he despised above all others, his
own incognito and the fact that she had sent Cedersholm to buy his
study, and that he could not express to her, without insult, his
feelings or tell her frankly who he was.
"You were not kind, Mr. Rainsford."
He reflected that she thought him the lover of a Latin Quarter student,
if she thought at all, which she probably did not. Without humility he
confessed--
"Yes, I have been very rude indeed." He wiped his clay-covered hands
slowly, each finger separately, his eyes bent. He rose abruptly. "Would
you care to look at a study I am making for Barye?" He drew off the
cloths from the clay he was engaged in modelling. She only glanced at
the group and he asked her, almost roughly: "Why did you buy by proxy my
little study in the exhibition? Why did you ask Cedersholm to do so?"
Mrs. Faversham looked at him in frank surprise. "Your study in the
exhibition? I knew nothing of it. I did not know you had exhibited. I
have been ill for a fortnight, and have not seen a paper or heard a hit
of news."
He was softened. His emotions violently contradicted themselves, and he
saw now that she had grown a little thinner and looked pale.
"Have you been ill? What a boor you must think me never to have
returned!"
She was standing close to the pedestal and rested her hand on the
support near his wooden tools. She wore a beautiful grey drees, such a
one as only certain Parisian hands can create. It fitted her to
perfection, displaying her shape, and, where the fur opened at the neck,
amongst the lace he saw the gleaming and flashing of a jewel whose value
would have made a man rich. Already the air was sweet with the fragrance
of the scent she used. She had been in grey when he had first seen her
on the day of the unveiling of the monument. Fairfax passed his hand
across his eyes, as though to brush away a vision which, like a mist,
was still between them. He put his hand down over hers on the pedestal.
"I love you," he said very low. "That is the matter. That is the
trouble. I love you. I want you to know it. I dare love you. I am
perfectly penniless and I am glad of it. I want to owe everything to my
art, to climb through the thorns to where I shall some day reach. I am
proud of my poverty and of my emancipation from everything that others
think is necessary to happiness. I am rude. I cannot help it. I shall
never see you again. I ought not to speak to you in my barren room. I
know that you are not free and that you are going to be married, but you
must hear once what I have to tell you. I love you.... I love you."
Public-domain text, read in full here on John Shaqi.
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