"I expect you are very much overrun with orders, Mr. Rainsford. I can
understand that. I do not take up a newspaper without reading some
appreciative criticism of your work." The Swedish sculptor removed his
glasses and wiped his eyes with a fragrant silk handkerchief. Then
carefully replacing his spectacles, begged Fairfax's pardon. "I have
suffered dreadfully with these infirm eyes," he said.
Fairfax leaned forward a little, continuing to whip up his memories,
and, once goaded, like all revengeful and evil things, they came now
quickly to bring back to him his anger of the past. Hatred and malice
had disappeared--his nature was too sweet, too generous and forgiving to
brood upon that which was irrevocably gone. He had been living fast; he
had been working intensely; he had been loved, and he had shut his eyes
and sighed and tried to think he loved in return. But the walls of his
studio in the Rue Vaugirard melted away, and, instead, Cedersholm's
rich, extravagant New York workshop rose up before his eyes. He saw
himself again the young, ardent student, his blood beating with hope and
trust, and his hands busy over what he had supposed was to be immortal
labour; it had been given for this man then, the greatest living
sculptor, to adopt it for his own. Now his heart began to beat fast. He
clasped his hands strongly together, his voice trembling in his throat.
"I should ask a tremendous price," he said slowly, "a tremendous price."
"Quite right," returned the Swedish sculptor. "Talent such as yours
should be paid for generously. I used to think so. I have commanded my
price, Mr. Rainsford."
"I know your reputation and your fame," said Fairfax.
The other accepted what his host said as a compliment, and continued--
"The committee is very rich; there are men of enormous fortunes
interested in the monument. They can pay--in reason," he added; "of
course, in reason--and as you are an American there would be in your
mind the ideal of patriotism."
"My demand would not be in reason," said Fairfax.
Cedersholm, struck at length by his tone, finding him lacking in
courtesy and manners, began to peer at him keenly in the rapidly
deepening twilight.
"In a way," he said sententiously, eager to be understood and approved
of by the man who, in his judgment, was important in the sculpture of
the time, he continued courteously, "there is no price too much to pay
for art. I have followed your work for years."
"Have you?" said Antony.
"Six years ago I bought a little statue in an exhibition of the works of
the pupils of Barye's studio." Cedersholm again took out his fine silk
handkerchief and pressed it to his eyes. "Since then I have looked for
comments on your work everywhere, and, whenever I saw you mentioned, I
reminded the fact to my wife, who was an admirer of your talent."
Public-domain text, read in full here on John Shaqi.
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