Separated from her by a little concourse of people, Antony could only
cry, "Bella!" to himself. He started eagerly toward the place where he
had seen her, but she vanished as the mirage on the desert's face.
What had he seen? A real woman, or only a trick of resemblance?
It was real enough to make him search the newspapers and the hotel lists
and the bankers. Now he could not think of her name without a mighty
emotion. If that were Bella, she was too lovely to be true! She _must_
be his, no matter at what price, no matter what her life might be.
A fortnight after he received in his mail a letter from America. The
address, "Mr. Thomas Rainsford," was in a round full hand, a handsome
hand; first he thought it a man's. He opened it with slight interest.
The paper exhaled an intangible odour; it was not perfume, but a
delicate scent which recalled to him, for some reason, or other, the
smell of the vines around the veranda-trellis in New Orleans. He read--
"Mr. Thomas Rainsford.
"DEAR SIR,--
"This will seem to be a very extraordinary letter, I know. I hardly
know how to write such a letter. When I was in Paris a few weeks
ago, I stood before the most beautiful piece of sculpture I have
ever seen. I do not know that any one could do a more wonderful, a
more deeply spiritual thing in clay or marble. But it is not what I
think about it in that way, which is of interest. It cannot be of
any interest to you, as you do not know me, nor is it for this that
I am writing to you. Again, I do not know how to tell you.
"Where did you get your ideas for your statue? That is what I want
to know. Years ago, a bas-relief, very much like yours--I should
almost say identically yours--was made by my cousin, Antony
Fairfax, in Albany. That bas-relief took the ten-thousand-dollar
prize in Chicago. It was, unfortunately, destroyed in a fire, and
no record of it was kept. My cousin is dead. For this reason I
write to ask you where you got your inspiration for the 'Open
Door.' It can be nothing to him that his beautiful work has been
more beautifully done by a stranger, can do him no harm, but I want
to know. Will you write me to the care of the Women's Art League,
5th Avenue, New York? Perhaps you will not deign to answer this
letter. Do not think that I am making any reproach to you. It can
be nothing to my cousin; he is dead but it would be a comfort to
me. Once again, I hope you will let me hear from you.
"Yours faithfully,
"BELLA CAREW."
The man reading in his studio looked at the signature, looked at the
handwriting, held it before his eyes, to which the tears rushed. He
pressed the faintly scented pages to his lips. Gallant little Bella ...
He stretched out his arms in the darkness, called to her across three
thousand miles--
"Little cousin, please Heaven he can show you some day, Bella Carew."
Public-domain text, read in full here on John Shaqi.
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