So they go up to town, and presently arrive at the house where Horace
lies unconscious of all around him. The door is opened to them by an
unmistakable landlady,--a fat, indolent person, with sleepy eyes, and
a large mouth, and a general air about her suggestive of perpetual
beef-steaks and bottled stout.
This portly dame, on being questioned, tells them, "Mr. Branscum has
just bin given his draft, and now he is snoozin' away as peaceable as
a hinfant, bless 'im."
"Is he--in bed?" asks Sir James, diffidently, this large person having
the power to reduce him to utter subjection.
"Lawks! no, sir. He wouldn't stay there he's that contrairy. Beggin'
yore parding, sir, he's yore brother?"
Sir James nods. She may prove difficult, this stout old lady, if he
declares himself no relative.
"To be shore!" says she. "I might 'a' knowed by the speakin' likeness
between you. You're the born himage of 'im. After his draft we laid
'im on the sofy, and there he is now, sleepin' the sleep of the just.
Just step up and see him; do, now. He is in a state of comus, and not
expectit to get out of it for two hours."
"The young--lady--will go up," says Sir James, feeling, somehow, as if
he has insulted Clarissa by calling her "a young lady." "She would
like" (in a confidential tone that wins on the stout landlady) "to see
him alone, just at first."
"Just so," says Mrs. Goodbody, with a broad wink; and Clarissa is
forthwith shown up-stairs, and told to open the first door she comes
to.
"And you," says Mrs. Goodbody to Sir James, "will please just to step
in 'ere and wait for her, while I see about the chicking broth!"
"What a charming room!" says Sir James, hypocritically; whereupon the
good woman, being intensely flattered, makes her exit with as much
grace as circumstances and her size will permit.
Clarissa opening the door with a beating heart, finds herself in a
pretty, carefully-shaded room, at the farther end of which, on a sofa,
Horace lies calmly sleeping. He is more altered than even her worst
fears had imagined, and as she bends over him she marks, with quick
grief, how thin and worn and haggard he has grown.
The blue veins stand out upon his nerveless hands. Tenderly, with the
very softest touch, she closes her own fingers over his. Gently she
brushes back the disordered hair from his flushed forehead, and then,
with a quick accession of coloring, stoops to lay a kiss upon the
cheek of the man who is to be her husband in one short month.
A hand laid upon her shoulder startles and deters her from her
purpose. It is a light, gentle touch, but firm and decided and
evidently meant to prevent her from giving the caress. Quickly raising
herself, Clarissa draws back, and, turning her head, sees----
Public-domain text, read in full here on John Shaqi.
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