"Some day will you come up and see it?" asks he, with more earnestness
than he acknowledges even to himself; "and," with a happy thought,
"bring the children. It will be a nice walk for them."
"But you are always in London, are you not?" says Georgie.
"Oh, no, not always: I sha'n't go there again, for ever so long. So
promise, will you?"
"I'll ask Mrs. Redmond. But I know we can. She never refuses me
anything," says this most unorthodox governess.
"I'm sure I'm not surprised at that," says Branscombe. "Who could?"
"Aunt Elizabeth could," says Miss Broughton.
"I haven't the misfortune to know your aunt Elizabeth, for which I am
devoutly grateful, because if she 'could,' as you say, she must be too
good for hanging. By the by, this is not _my_ first ball; yet you have
never taken the trouble to ask me (though I asked you) why I intend
keeping this night as a white spot in my memory."
"Well, I ask you now," says Georgie, penitently.
"Do you care to know?"
"I do, indeed."
"Then it is because to-night I met you for the first time."
He bends his head a little, and looks into her eyes,--the beautiful
eyes that smile back so calmly into his, and are so cold to him, and
yet so full of fire,--eyes that somehow have power to charm him as no
others have yet been able to.
He is strangely anxious to know how his words will be received, and is
proportionately aggrieved in that she takes them as a matter of
course.
"After all, my reason is better than yours," she says, in her sweet,
petulant voice. "Come, let us dance: we are only wasting time."
Branscombe is at first surprised, then puzzled, then fascinated.
Almost any other woman of his acquaintance would have accepted his
remark as a challenge,--would have smiled, or doubted, or answered him
with some speech that would have been a leading question. But with
this girl all is different. She takes his words literally, and, while
believing them, shows herself utterly careless of the belief.
Dorian, passing his arm round her waist, leads her out into the room,
and again they waltz, in silence,--he having nothing to say to her,
she being so filled with joy at the bare motion that she cares no more
for converse. At last,
"Like some tired bee that flags
Mid roses over-blown,"
she grows languid in his arms, and stops before a door that leads into
a conservatory. It has been exquisitely fitted up for the occasion,
and is one glowing mass of green and white and crimson sweetness. It
is cool and faintly lit. A little sad fountain, somewhere in the
distance, is mourning sweetly, plaintively,--perhaps for some lost
nymph.
"You will give me another dance?" says Branscombe, taking her card.
"If I have one. Isn't it funny?--I feared when coming I should not get
a dance at all, because, of course, I knew nobody; yet I have had more
partners than I want, and am enjoying myself so much."
Public-domain text, read in full here on John Shaqi.
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