Aristocracy (Social class) -- England -- Juvenile fiction; Great Britain -- History -- Anne, 1702-1714 -- Juvenile fiction
"Perchance you may have reason to understand it, if you do as you
purpose towards Lionel Field. A man consumed by vanity and envy is not
the safest wearer of one’s discarded shoes."
"But is there any other?" asked Grey. "I know of none."
"No, nor I, i’ faith. We have feared that the old man might break
down—he has been growing so gaunt and hollow-eyed of late; but we had
never thought of such a thing as the Youth failing us. We have no
substitute for you, Mr. White. If you fall ill, the interlude must
cease; and it were pity too, for it still draws us crowded houses."
"No, it need not cease," spoke Grey with energy. "Send me only Lionel
Field this day, and I will undertake that by to-morrow forenoon he shall
be fit for the rehearsal with Anthony Frewen in the theatre. Let him
take my place till I am ready to fill it again. He will do it better
than I, with these maimed hands, and with my heart so full of anxious
fears for Mr. Wylde."
"Then so be it," answered the manager, with audible relief in his tones.
He had no wish to withdraw the piece whilst it was still so high in
favour. No one knew how soon the capricious public might tire of it; but
for the moment, with the Duke of Marlborough the popular idol, and
expected home week by week, nothing that gave him praise and honour
could fail to catch the popular taste. The house filled double as full
on those nights on which Time and the Youth were to appear as it did on
the others. Grey knew this, and would not for the world have had the
performances to cease on his account. He had no petty jealousy of an
understudy. He simply desired that a man he had come to pity sincerely
should have the chance he so coveted; and when Lionel Field stood before
him, flushed, excited, filled with strenuous desire to succeed—to fill
the part as ably as it had been filled before—Grey’s only desire was to
help him to this end.
Public-domain text, read in full here on John Shaqi.
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