Falling in Love; With Other Essays on More Exact Branches of ScienceAllen, Grant
Science
Falling in Love; With Other Essays on More Exact Branches of Science
Allen, Grant
Science
looked quite close yesterday is shown to-day to lie away off somewhere
in the dim distance. Like our paleolithic artists, we fail to get the
reindeer fairly behind the ox in the foreground, as we ought to do if we
saw the whole scene properly foreshortened.
On the table where I write there lie two paper-weights, preserving from
the fate of the sibylline leaves the sheets of foolscap to which this
essay is now being committed. One of them is a very rude flint hatchet,
produced by merely chipping off flakes from its side by dexterous blows,
and utterly unpolished or unground in any way. It belongs to the age of
the very old master (or possibly even to a slightly earlier epoch), and
it was sent me from Ightham, in Kent, by that indefatigable unearther of
prehistoric memorials, Mr. Benjamin Harrison. That flint, which now
serves me in the office of a paper-weight, is far ruder, simpler, and
more ineffective than any weapon or implement at present in use among
the lowest savages. Yet with it, I doubt not, some naked black fellow by
the banks of the Thames has hunted the mammoth among unbroken forest
two hundred thousand years ago and more; with it he has faced the angry
cave bear and the original and only genuine British lion (for everybody
knows that the existing mongrel heraldic beast is nothing better than a
bastard modification of the leopard of the Plantagenets). Nay, I have
very little doubt in my own mind that with it some aesthetic ancestor has
brained and cut up for his use his next-door neighbour in the nearest
cavern, and then carved upon his well-picked bones an interesting sketch
of the entire performance. The Du Mauriers of that remote age, in fact,
habitually drew their society pictures upon the personal remains of the
mammoth or the man whom they wished to caricature in deathless
bone-cuts. The other paper-weight is a polished neolithic tomahawk,
belonging to the period of the mound-builders, who succeeded the Glacial
Epoch, and it measures the distance between the two levels of
civilisation with great accuracy. It is the military weapon of a trained
barbaric warrior as opposed to the universal implement and utensil of a
rude, solitary, savage hunter. Yet how curious it is that even in the
midst of this 'so-called nineteenth century,' which perpetually
proclaims itself an age of progress, men should still prefer to believe
themselves inferior to their original ancestors, instead of being
superior to them! The idea that man has risen is considered base,
degrading, and positively wicked; the idea that he has fallen is
considered to be immensely inspiring, ennobling, and beautiful. For
myself, I have somehow always preferred the boast of the Homeric Glaucus
that we indeed maintain ourselves to be much better men than ever were
our fathers.
BRITISH AND FOREIGN
Public-domain text, read in full here on John Shaqi.
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